Lessig vs Butler

Yesterday, I was unhappy, because my computer had to make a trip to the emergency

room. Today, I am happy, because it is back and shiny and happy and has

a Tiger in the tank. With any luck,

this development will increase my blogging frequency: twice, of late, I’ve written

long and fabulous blogs only to have them eaten by a badly-timed computer crash.

One was on women artists, and the other was a letter of response to a question

posted by Larry Lessig.

Lessig knows a lot about many things, but I thought his question betrayed a

rather surprising naiveté about journalism. What happens when someone

complains about an article? Lessig seems to think that the journalist is quite

likely to bear a grudge against the complainer, and maybe even take out that

grudge with an even more unfair article in the future. Whereas most journalists

consider complaints to be evidence that they’re doing their jobs right: if you’re

not pissing anybody off, you’re not much of a journalist.

Anyway, the other shoe has now dropped,

and we now know who the journalist in question was and what she was writing

about. It’s Susan Butler, of Billboard magazine, writing about Creative

Commons and its relationship to the music industry. Her original error,

described by Lessig as "factually and fundamentally wrong", was to

say that the organisation "urges creators to give up their copyright protection

by selling their copyrights to the commons for $1". In fact, although there

once was a plan do do something along those lines, no

one ever followed through on it.

After Butler’s original article came out, Lessig asked for a correction, never

got one, and then learned that she was writing an in-depth

article about Creative Commons. Her follow-up article finally appeared on

Friday.

Lessig’s original blog said that commissioning Butler to write such an article

was at worst unethical and at best bad business from Billboard’s point of view,

since "if the report is generous, it seems a way to make up; if the report

is critical, it seems grudge journalism". Remember, here, that Lessig’s

original complaint was about two sentences in an article which even he admits

mentioned Creative Commons only in passing. Whether or not you rate Butler’s

journalism, it seems unlikely that that his complaint would have driven her

to be particularly mean about him in future.

Now, we can all read Butler’s article. "Music biz wary of copyright sharing

movement" is the headline, which is undoubtedly accurate: Butler spends

a lot of time detailing the misgivings that various music-biz bigwigs have about

Creative Commons in general and Lawrence Lessig in particular.

In the end, Lessig is probably justified in feeling hard done by. Butler, it

seems, made little if any attempt to get to the bottom of the two sides’ arguments:

instead, she uncritically reproduces quotes from both Lessig and his opponents.

So when the music industry complains about "a point of view that would

take away people’s choices about what to do with their own property", she

doesn’t point out how ridiculous that is. In fact, what Creative Commons is

doing is quite the opposite: it’s giving people a wide range of choices

about what to do with their own property.

The article also ends with a completely ridiculous anecdote about Andy Fraser,

who has paid for AIDS treatment with song royalties. "Had he given up his

rights to those early hits," writes Butler, "he would not have the

resources to cover his treatment for AIDS."

What Butler knows full well is that the vast majority of Creative Commons licenses

are for non-commercial use. If Butler had attached a Creative Commons license

to his songs, it could easily have made no difference whatsoever to his royalties.

Of course, if he had allowed commercial use of his songs without any payment

to himself, he’d be worse off today. His quote is the final sentence of the

article: "No one should let artists give up their rights".

This is sloppy

journalism. It is simply a fact that artists, if they’re so inclined, can

give up their rights. Some want to do so; most don’t. But no one, to my knowledge,

is seriously advocating any kind of legislation which would prevent

artists from doing this should they be so inclined. It’s unclear whether that’s

what Fraser is asking for. But it’s also unclear what relevance his quotation

has to the argument at hand.

There are certainly powerful elements within the music industry who feel threatened

by Creative Commons: this is understandable, since CC is threatening the music

industry’s effective monopoly on music copyrights. Butler, on the other hand,

gives the final word in her article on the subject to someone who provides little

more than human interest. If he belongs anywhere in the article, it’s at the

beginning, not at the end.

All that said, however, I think that Lessig is complaining a little bit too

much about this article. We all know that the music industry and other multinational

media conglomerates have done an extremely good job at framing the debate

on copyright. And the article is not completely one-sided. Here’s the lede:

An innovative approach to sharing and licensing copyrighted material is spreading

around the globe, gathering millions of creative works under its umbrella.

And here’s the quote count: Two from David Israelite, anti-CC. One from Tim

O’Reilly, pro-CC. Two from Hal Abelson, pro-CC. One from Hilary Rosen, anti-CC

but with the caveat that she "supports the Creative Commons approach to

licensing". One from Cary Sherman, pro-CC. One from Larry Lessig, pro-CC.

One from Andy Fraser, anti-CC. And this one from Michael Sukin: "Lessig

and his followers advocate a shorter copyright term". Which comes from

an anti-CC person, but is basically just descriptive and true.

Net-net, we have four people who might be construed as being anti-CC, and four

people who are unambiguously in favour. There are four anti-CC quotes, five

pro-CC quotes, and one quote which is really neither one nor the other. Furthermore,

the quotes from the pro-CC crowd do not make them look silly, and were not taken

out of context.

Frankly, I see no evidence at all that Butler is bearing a grudge

against Lessig for complaining about her earlier article. Rather, I think she’s

talking to music-industry professionals for an article in a music-industry publication,

on a subject which is of no little concern to the music industry. It’s only

natural that a certain amount of pro-music-industry bias will creep in to such

an article. Lessig shouldn’t be getting his knickers in a twist about an article

like this: his time

is precious, and this just isn’t worth it.

Posted in Culture | Comments Off on Lessig vs Butler

Make Dia free!

Dia: Chelsea is relocating

to become Dia: Meatpacking, anchoring the southern end of the High

Line redevelopment. The New York Times quotes Michael Govan, Dia’s director:

Plans call for building a simple two-story museum with 45,000 square feet

of gallery space on two floors… The main galleries would extend over part

of the Gansevoort Meat Market, contiguous with and at the same level as the

High Line.

"You will be able to enter the main level of the museum from the High

Line," Mr. Govan said…

So far, Mr. Govan said, about half of the necessary money has been committed,

contingent on the project’s approval. He estimated that the new museum would

cost about $35 million to build and that Dia would need $20 million for an

endowment to run it.

We’re also told that Dia had grown out of its Chelsea location, due to the

high number of visitors it was attracting: 60,000 a year.

The City of New York owns the lot that Dia is moving to, and supports the plan

to put a private museum at the entrance to a new public park. But given that

the city is providing the land for the museum, I think it’s only fair that they

should ask for something in exchange – to wit, that Dia should be completely

free to the general public, like the Tate

in London.

Admission at Dia: Chelsea, as I recall, was $6. If all of the 60,000 visitors

paid $6 to get in – which many of them didn’t – Dia was grossing

$360,000 a year in admissions revenues. The all-in cost of collecting those

revenues – having a couple of people sitting at the front desk full-time,

managing the cash, etc etc – probably brought the net revenues down to

maybe a couple of hundred thousand a year. If Dia wants a $20 million endowment

to run Dia: Meatpacking, I reckon it should be able to find a few hundred thousand

per year to replace whatever amount of money it might intend to make on admissions.

If there was a real will to make Dia: Meatpacking an integral part of the Highline

experience, as opposed to a museum leveraging the foot traffic that the Highline

will generate, I’m sure it could make itself free without too much difficulty.

The two could work wonderfully together: Dia could drive traffic up the Highline,

possibly towards destination

galleries in Chelsea, while the Highline

would help deliver and introduce a whole new public to hard-edged contemporary

art.

But I suspect that it’s not going to happen, and that the main reason it’s

not going to happen is entirely due to snobbishness. Dia likes being in out-of-the-way

places. It moved to Chelsea when there was relatively little going on there;

the De Maria pieces in Soho are hard to find and were even more so when they

were built; and Beacon, of course, is a long schlep up the Hudson from Manhattan.

And all of those are positively easy to get to when compared to De Maria’s Lightning

Field. The end result is a series of quiet and solemn places which exist to

serve the art above all – certainly above the public.

Dia has never advertised. When Dia: Beacon opened, Govan told

me that he really didn’t care whether 50,000 people or 200,000 people would

visit per year. The foundation serves the art, and if people want to see the

art that’s fine; if they don’t, that’s fine too. It’s just not in Dia’s DNA

for the gallery to open up its spaces to the general public, with its iPods

and rollerblades and chewing gum and utter obliviousness to the subtleties of

Robert Irwin installations.

But it’s entirely Dia’s choice to move to the trendiest neighborhood in Manhattan,

right on the rapidly-developing waterfront, to a lot which seems designed to

maximise the amount of foot traffic that will walk past it. Dia clearly wants

a higher public profile, which will inevitably mean much more interaction with

the general public than it has had in the past. It should take this opportunity

to embrace that public, and bring its art to the masses.

Posted in Culture | 13 Comments

Freedom Tower update

Sometimes the wall between the news and opinion pages at US newspapers is

mildly exasperating. Last Sunday, the opinion page of the City section of the

New York Times ran an interesting

editorial about the Ground Zero Freedom Tower, saying that it "is apparently

being sent back to the drawing boards, after word came from security experts

at the New York Police Department that they have problems with the building

as planned."

That news didn’t come from the Times, however, and it wasn’t until today that

the New York Post, and others, picked

up the story. Still nothing from the news pages of the paper of record:

maybe they feel they’ve been scooped by their own opinion pages, and therefore

don’t need to run the story. It’s a pity, because the Times’s WTC coverage,

led by David Dunlap, is streets ahead of its bizarre editorialising.

The editorial board simply doesn’t seem to understand the issues involved,

which is why it’s peculiar that they seem to have got their hands on the news

before anybdy else. The editorial starts off by talking about "George Pataki’s

Freedom Tower", which is just weird. If any individual deserves the possessive

here, it’s Larry Silverstein; David Childs would be the obvious runner-up. George

Pataki had the opportunity to take ownership of the building and its design,

but abrogated it in favour of letting the duelling architects (Childs and Libeskind)

squabble amongst themselves and eventually come up with a compromise design

that both of them hate. Is it a "stunning creation", as the editorial

board puts it? Not at all.

Of course, the design for the tower has changed substantially since I blogged

it back in December 2003. The problem is that no one has a clue what the revised

design looks like: the cobbled-together plan of 16 months ago remains the only

thing that the developers and the LMDC have allowed the public to see.

It’s well over a year, now, since I said

that basic elements such as the 1,776-foot height and the toothpick-like spire

were almost certainly going to be jettisoned; nothing has been confirmed in

the interim, although I’m sure that Silverstein and Childs will make full use

of the NYPD’s safety worries to get rid of any lingering traces of Libeskind.

The New York Times editorialist, however, doesn’t even seem to have looked

at the design from 2003. The editorial describes it as "a massive building,

with too much extra office space – added to suit the developer", which

is simply wrong. The too much extra office space, added to suit Silverstein,

is not in the Freedom Tower so much as it is in all the undeveloped parcels

of land dotted around the rest of the WTC site – parcels which are going

to have to remain empty for the foreseeable future until Silverstein gets around

to building his allotted 10 million square feet of space. The Freedom Tower

itself has about 2.6 million square feet of office space, which is not unheard-of

for New York skyscrapers, and which seems pretty reasonable considering that

this is designed to be the tallest building in the world.

The design is also not "massive" in the hulking sense implied by

the editorial. Yes, the footprint is reasonably large, as you’d expect from

a very tall building. But it curves and tapers pretty gracefully, and I very

much doubt that the NYPD’s proposed changes are going to make it look "like

a vertical bunker", in the words of the editorial. The Goldman Sachs building,

at 85 Broad Street, looks like a vertical bunker; the Freedom Tower will not.

It’s also worth asking where this story came from. Here’s the New York Post:

One source cited frustration with the NYPD bringing up the security issue

so late in the rebuilding process but said every effort would be made to ensure

that the tower will be as safe and secure as possible.

And here’s the New York Times:

Since the details about the Freedom Tower were first unveiled to the public

in December 2003, that delay by the department is unreasonable.

Hm, do you suppose the same source – someone at SOM, perhaps –

has been talking to the New York Post, and to the New York Times editorialist,

but not to David Dunlap, ‘cos Dunlap might know enough to call bullshit on him?

My guess is that the delay has very little to do with NYPD foot-dragging, and

much more to do with the fact that SOM has only recently seen fit to present

detailed plans to the police. After all, the NYPD could hardly have judged security

in the building simply on the basis of a large model unveiled in 2003 which

didn’t even show where the entrances and exits would be.

My guess is that SOM spent a very long time before finally providing their

plans to the police, in the hope that the police would then feel forced by Pataki-imposed

deadline to sign off on anything the architects wanted to do. When the police

proved not quite as compliant as expected, SOM went to the (more compliant)

press.

The one thing this story does tell us, however, is that there are,

now, detailed Freedom Tower plans out there somewhere. We would probably be

expecting to see them pretty soon, were it not for the fact that Childs &

Co have been sent back to their proverbial drawing board. My guess is that we’re

only going to get a realistic idea of what the Freedom Tower is actually going

to look like in 2006. And that when the final plans are released, the tower

will bear about as much relation to Libeskind’s original vision as the Time

Warner Center does to the Jewish Museum in Berlin.

Posted in Culture | 11 Comments

Rhian’s bath tour of the world

The airport hotel in Santiago had all mod cons, including an en-suite bathroom,

with bath. I was very excited about this bath, but as I went to close the curtains

at the window so I could waltz around naked between bath and bed (huge, double,

to be occupied fully alone, about which I was also very excited), I spied a

Swimming Pool outside. It was only 1am, a very reasonable time for a swim, considering

how long I had gone without one, I thought, but the concierge clearly thought

I was mad when I appeared in the lobby in bikini and sarong.

Oh, that first splash! Water all around me. And in a bikini, outside! I splashed

around like a six-year-old. But the best bit was if I floated on my back and

looked at the stars. Orion was there, smiling down on me, and I was happy to

know that Halley wasn’t so far away after all. (My favourite time is still star

time, the place I can escape to when the world all gets a bit too ridiculous.)

The bath was good, but not up to expectations. No bubbles, and I had to hold

my legs in the air in order to lie properly down. Far too short.

Expectations, another thing I’ve realised. The things I was most looking forward

to: baths, mangoes, carrots, wine, etc etc, were all of their absolute finest

in my imagination, and often first attempts did not live up to standard. But

I persevere.

My second bath was in Buenos Aires. This was much better. Still too short,

but in an old ceramic tub with cracked tiles, in an ancient hotel with a story

to tell. I didn’t realise, but I had missed history. Every year, a new Halley

is created by a new layer of snow. I love that. But history… In Santiago I

found myself drawn inside an ancient cathedral: dark, old, so many stories.

A queue for confession with the smiling priest. If I spoke Spanish, I would

have gone to him myself. Religion. Now there’s something I hadn’t experienced

for a while. I left out of a different door to the one I entered, and for the

next two hours walked west and north, right off the tourist map, when I had

intended to go north and east, into the center of town.

The next day, I discovered markets. And then, overwhelmed by bustle, smells,

colours and people, escaped to the massive park, with a mango. I am pleased

to report that the mango lived up to expectations. (I find myself going out

of my way to walk past flower stalls: the smell, downwind, so entrancing and

novel. Especially if there are fresias on sale.)

My third bath was on the lush island of Waiheke in New Zealand. After a 14-hour

plane journey, the chaos of commuting, and sensory overload of a hundred colours

of green in the rainforest, I yearned to submerge myself into steamy oblivion.

The water was brown and smelled of mud. I later discovered the only water source

was from rain, and the tank was low. Oops. From then on, I reverted to Halley

showers. The bath was good, though, a kid obviously lived in the house, so I

felt happy splashing about, and the wonderful comforts of a real home seemed

to surround and await me.

The next baths, if you can call them that, were in the sea, and I floated for

many days in the water, with endless boundaries. The sea. Swimming in the sea.

Salt. I have missed the sea.

I had my fourth bath of the year, in a motel in Dargaville, a town that lived

up to every stereotype that the name suggests. Nothing to report, except the

spa. With my toes touching one end, I could stretch out, under water, as far

as my neck. What it lacked in history, it compensated a hundred times in size.

And bubbles of air. Yes, at last, a bath up to my expectations.

I now write to you from Sydney. My friends left me in their house for the weekend

while they go to a wedding and I get to be entartained by my brother. Their

bath, though tiny, was the best yet. Porcelain, chipped, lemon verbena bubble

bath, miaowing cat, cup of tea and book not far away. While Felix is hurrying

with the rush to do nothing all day, a phenomenon most New Yorkers apparrantly

struggle with for atleast a week, I still need a couple of hours to build up

to the idea of leaving the front door. He amuses me with his entanglement of

media contraptions and the constant demands that they place on him while he

laughs when I speak the first thing that pops out of my brain, independant of

tact, timing or relevance to anything. We make a good team… and it’s wonderful

to see him. Ultimately, the only thing I have really missed is the people who

know me best and who I love the most.

Posted in Uncategorized | 8 Comments

Financial quacks

Whenever I rail against journalistic innumeracy, which

is often,

I tend to point out that journalists are normally creative arts-graduate types,

who frequently have very little grasp of numbers. In turn, this means that they’re

at risk of being taken advantage of by people claiming to perform wonderful

"demystification" services for them.

Today I came across one of the most egregious such quacks, in the form of Galia

Gichon of Down To Earth Finance.

Ms Gichon is teaching a MediaBistro course

next week, where, for a mere $65, she will dispense advice on how to "get

a grip on debt" and other such staples of the personal-finance pages. Judging

by her Q&A

on MediaBistro today, however, you’d be better off spending that $65 on getting

blotto in the nearest bar. Certainly, any halfways-decent personal

finance book will be much cheaper and much more useful.

Here’s the advice that Gichon thinks is particularly germane to New York freelance

journalists:

1) Hire a Bookkeeper. As a freelancer, this is one of the most important

financial decisions you can make. You will save so much time and be able to

focus on getting more business.

WHAT??!! This is completely insane. Bookkeepers, at their best, save you time

and cost you money. Freelancers, in general, have lots of time and very little

money. Saving time is not top of the list of most freelancers’ priorities. Spending

money on a bookkeeper, I think it’s fair to say, is right at the bottom. What

would a freelance journalist do with a bookkeeper, anyway? Give her

a pile of receipts and ask her to add them up in the hope that they might count

as a business expense? Get her to add up this year’s invoices so she can see

just how little money she’s actually made?

Bookkeepers are necessary for small businesses which have relatively high gross

income and relatively high expenses. Freelance journalists have relatively low

incomes, and nigh-on zero business expenses. Unless you need a bookkeeper to

pay your phone bill, hiring a bookkeeper is a complete waste of money. .

2) Make Your Savings Automatic. Set up an automatic savings account into

a money market account or mutual fund. Most freelancers are not saving enough

of their income. Get it out of your checking account and into a place where

it is harder to touch it – without having to think about it!

Automatic. What a good idea. Every two weeks, when I get paid, I can just take

$150 and put it into my money market account. By the end of the year, I’ll have

saved almost $4,000! Except, oh, hang on a minute, I’m a freelancer.

I don’t get paid every two weeks. In fact, I can go a couple of months

without any income at all.

Automatic savings make no sense in the context of a freelance lifestyle.

They’re predicated on a steady income – which is the one thing a freelancer,

pretty much by definition, doesn’t have.

3) Clean Up Your Old 401(k). Chances are many of you have a lingering 401(k)

from previous jobs. Consolidate them and roll them over into a rollover IRA

at a discount brokerage firm (i.e. Fidelity, Schwab, Vanguard, T. Rowe Price).

Streamline your investments!

More ways to spend money! First spend $65 on Gichon’s course, then spend more

money on hiring a bookkeeper, and now spend more time and money still, tranferring

your investments from one place to another. This involves selling all the securities

you own (you’ll get charged for that), moving them elsewhere, and then buying

a whole bunch more securities, which might even be the exact same securities

you owned in the first place. You’ll get charged for that, too. If you buy mutual

funds, there might well be up-front fees as well. And this is all in the aid

of… streamlining your investments. But streamlined investments don’t return

any more money than non-streamlined investments. Plus, are Fidelity and T Rowe

Price any more "discount" than any other brokerage firm? I really

don’t get this at all. It seems like a very laborious way to make yourself feel

that you’re doing something, when in fact you’re not achieving anything.

4) Deal With Your Debt. Many freelancers use credit cards as a way of managing

cash flow. While this sounds like a great idea, many of you find yourself with

that "revolving" balance that doesn’t seem to go away. When you have

a month with extra income, put that extra away and then use it for those drier

months. Also, STOP using your credit cards and focus on paying your balance

down.

I’m no fan of credit cards,

that’s for sure. So this isn’t completely atrocious advice. But it offers precious

little in the way of specifics: if I’m a freelancer with a revolving balance

on my credit card, and I have extra income one month, should I "put that

extra away" or should I "focus on paying my balance down"? (Answer:

the second. It’s always better to pay down debt than to save. But Gichon doesn’t

make that nearly clear enough.)

5) Shop Around For Health Insurance. Today, freelancers have many more

options for health insurance than they used to. Check out Mediabistro’s resources

or EHealthinsurance.

Well, there’s a nice plug for MediaBistro. But I’m pretty sure that most freelance

journalists either don’t have health insurance, or they have the cheapest insurance

they could find. I doubt that many are overpaying for it.

6) Do a Check-up on Your Expenses. Are you still using that fancy-shmancy

gym? What about those magazine subscriptions that are lying around? How about

those extra cable channels that you never watch? A 6-month check-up on your

expenses can clean up your checkbook and find an extra few hundred dollars every

month.

Again, doesn’t this seem a little tone-deaf when aimed at freelance journalists?

How many hand-to-mouth freelancers do you know who belong to a "fancy-shmancy

gym"? I’m sure that if there are any, they are most certainly "still

using" it. And magazine subscriptions – for one thing they’re rather

necessary for journalists; for another, you can’t just cancel them and save

money. No one subscribes to magazines every month. I’m all in favour of cutting

down on expenses: in New York, it’s astonishing how much money can be spent

on food, drink and cabs. But these examples, are, frankly, lame. Don’t tell

journalists to consume less media, tell them to buy fewer shoes!

7) Don’t Be in Denial. Many freelancers claim that they can’t deal with

their finances. Well, the successful freelancers have learned how! It’s not

that hard, but you do have to be proactive. Take a class, read a book and hire

a fee-only financial advisor. A little financial knowledge goes a long long

way.

It’s not hard to deal with your finances: take a class (which costs money),

read a book (which costs money), and hire a fee-only financial advisor (which

costs money). Why do I get the feeling that this Gichon woman doubles as a fee-only

financial advisor? Most freelance journalists have negligible savings, and if

you have negligible savings, your need for any kind of financial advisor is

slim to zero.

Frankly, I’m not surprised that Gichon sees lots of people who can’t think

straight about money: you’d have to be pretty financially stupid to fall for

this claptrap and pay for her services in the first place. But if Gichon’s a

quack and a huckster, that’s all in a grand old American tradition. What I really

can’t understand is why MediaBistro is lapping it all up. Don’t they have a

former financial analyst as editor-in-chief?

Shame on them.

Posted in Finance | 9 Comments

Wolfowitz

I’ve recently written an article about Wolfowitz at the World Bank for publication,

so I was going to avoid the topic here. But then I found myself today reading

Thursday’s WSJ editorial

on the subject, and it incensed me so much that I just had to fisk it. I rarely

take the WSJ editorial page seriously, and I don’t this time either, but this

leader shares a lot of sloppy thinking with a lot of the people who both oppose

the World Bank generally and who support Wolfowitz’s nomination. Hence this

blog.

Banking on Wolfowitz

Our World Bank sources tell us that when news was received yesterday of Deputy

Defense Secretary Paul Wolfowitz’s nomination to succeed outgoing Bank President

James Wolfensohn, a collective shudder could be felt throughout its Washington

headquarters. It’s an affront to multilateralism. It will make the Bank look

like an arm of American imperialism. It will spark a revival of the antiglobalization

movement the Bank has tried so hard to "dialogue" with and co-opt.

This is actually true. The Bank staff reacted with dismay to Wolfowitz’s nomination.

This, in and of itself, should be reason enough to think twice about nominating

him: the job of running the World Bank is hard enough without having to overcome

the obstacle of everybody mistrusting you before you even begin.

Whatever. The World Bank is a dysfunctional bureaucracy that requires

deep reform if it is to recover the trust of American taxpayers and survive

as a relevant institution in the 21st century.

This might have been true at the beginning of Wolfensohn’s tenure, but by this

point the needed reforms are no longer deep. Most of Wolfensohn’s first term

in office was pretty disastrous, mainly because he was so busy stomping all

over the Bank staff with his reformist agenda that he didn’t actually achieve

anything in the outside world. What Wolfensohn eventually learned is that development

is a subtle and complex creature, and that it’s better to slowly tease the Bank

into what you want it to be than to try to enforce major change from on high.

If Wolfowitz arrives believing that the Bank needs "deep reform",

the result will be chaos for at least a couple of years, at the end of which

he will have to start from scratch in building his vision. Much better that

he decide where he wants to get, and then work out how to get there organically

from here.

That President Bush named as talented and senior a public servant as Mr.

Wolfowitz is a sign he still takes the World Bank seriously–something we sometimes

find hard to do–and that he means to reshape its cash-input-driven culture,

which so far has produced negligible outputs for its ostensible clients, who

are the world’s poor.

That President Bush unilaterally named Wolfowitz to the Bank’s presidency without

any kind of transparency or consultation – indeed, without even saying

in advance what qualities a World Bank president needed – is a sign that

the Bank’s cash-input-driven culture is stronger than ever. The USA, as the

Bank’s single largest shareholder, calls all the shots in naming its president,

and has completely ignored the rest of the world, including the Bank’s ostensible

clients, in trying to work out who should run it. There is, indeed, often a

clash at the Bank, between what donor countries want and what aid recipients

want. We can surely assume that whenever Wolfowitz has to come down on one side

or the other – whenever the Third World wants one thing and the USA wants

another – he will do America’s bidding. The shareholders, rather than

the clients, will continue to call the shots.

To gain a sense of what ails the Bank, it’s useful to read the bipartisan

2000 Meltzer report on international financial institutions, which counts liberal

development guru Jeffrey Sachs among its authors. The report is a bit dusty,

but since the Bank fiercely resisted its conclusions, the analysis remains valid.

Inter alia, the report found that 70% of the World Bank’s "non-aid"

funds go to 11 countries that already have easy access to capital markets, such

as China, Mexico, Brazil and Thailand.

This is not the time to rehearse all the arguments of five years ago about

the Meltzer Commision report; suffice to say that its main authors, Allan Meltzer

and Adam Lerrick, essentially want to abolish the Bretton Woods institutions.

But it’s true that a lot of Bank funds go to middle-income countries like China

and Brazil. Guess what? A lot of the world’s poor are in middle-income countries

like China and Brazil. Have a look at page 4 of this

PDF file: as of 2001, the latest year for which numbers are available, there

were 596 million people living on less than $2 a day in China, compared to 514

million in all of sub-Saharan Africa. If you ignore China and other middle-income

countries, you ignore a huge part – probably the majority – of the

problem of poverty.

Yes, it is true that China, with its investment-grade credit rating, has easy

access to capital markets. Then again, it was only a couple of years ago that

Brazil had no access to capital markets at all. These things come and go, and

Murphy’s Law states that if the World Bank leaves a country because it has access

to private capital, that country will end up losing that access to private capital

at precisely the instant that it needs it most.

More to the point, however, whether or not a country has access to private

capital is rather irrelevant in the Bank’s war on poverty. Right now you’d be

hard pressed to find a single analyst who thinks that credit spreads aren’t

insanely tight, but even so Brazil is still trading at 424 basis points over

Treasuries. What that means is that if Brazil wants to raise money in the capital

markets, it has to pay whatever the US government is paying, plus 4.25

percentage points. The Journal seems to think that if any development is going

to be funded in Brazil, it should be funded at market rates. But why should

development in Brazil be more expensive than development in China, which is

trading at just 47 basis points over Treasuries? The fact is that a lot of the

calculations that go into those numbers – things like total amount of

foreign debt outstanding, or the country’s perceived willingness to repay foreign

bondholders – are not and should not be relevant for the purposes of development.

The World Bank, it’s worth remembering, is a bank, of sorts. It borrows money

in the market at very low rates, and then lends it out at higher rates –

albeit at levels high enough that it can make a bit of a profit on the transaction.

It can lend at lower levels than the market as a whole because it has something

called preferred creditor status: that is, even when countries like Argentina

default on their bonds, they still pay the IMF and the World Bank in full. Chances

are, if private investors could get preferred creditor status, then they too

would lend at World Bank levels. In fact,

if you look at the long-term returns received by the World Bank and by private

investors, they turn out to be pretty much identical. The Bank charges lower

interest rates, but has a lower default rate; net-net, it’s a wash.

In other words, the market charges an extra premium to make up for the fact

that countries default. With the World Bank, there’s no premium and no default

– a much better state of affairs for all concerned. There’s no doubt that

development projects in countries like Brazil would be scaled back or even cancelled

altogether if they had to be funded at market rates. Since there are millions

of Brazilians in poverty who can be helped by World Bank projects, a decision

to cut off Brazil from all World Bank funding just because it has access to

markets would measurably harm those millions of people.

What’s more, the decision would harm poverty-stricken people in sub-Saharan

Africa and other places without market access, as well. The reason

is that, as we have seen, the Bank actually makes a profit on its loans to the

likes of China and Brazil. The profits the Bank makes in those places help to

subsidise its activities in Africa and other desperately poor areas of the world.

No profits from China, less aid for Africa. It’s as simple as that.

It found that beneficiary countries that do not have access to markets

mostly "remain poor because their political system is unstable, private

property rights are very limited, the judicial system is weak or subservient,

or the government is corrupt," and that assistance to such countries "at

best provides relief [and] at worst . . . supports corruption or programs that

waste scarce local and external resources."

There is a germ of truth in these allegations. But the Bank is getting much

better at delivering aid directly to where it’s needed, and dealing with countries

on a case-by-case basis. Looking at the bigger picture, however, it has always

been true that some unknown percentage of all aid is wasted. It is right and

proper for the Bank to try to identify and minimise that waste. It is entirely

wrong, however, to use that wastage as an excuse to spend less money on aid

overall.

The report also devastated the Bank’s internal culture. It found "weak

counterbalance to the incentive to lend" and "no penalties for project

failure." It found that by the Bank’s own evaluations, 59% of its investment

programs in the 1990s failed.

So the bank has tough internal auditors: that’s a good thing. The more that

the Bank knows where it’s going wrong, the more it can learn from its mistakes.

Yes, there are some reforms needed within the bank, but there will only be serious

counterbalance to the incentive to lend if and when Bank officials themselves

actually sign off on those decisions. Much of the problem at the moment lies

in the fact that loans are ultimately given the green light not by Bank officials

but by the Bank’s shareholders on the board of directors. Sometimes they want

one thing, sometimes they want another. And although they’re quick to take the

credit when things turn out well, they’re also quick to blame the Bank when

their pet projects implode. If the Bank can get out of its current excessive

shareholder oversight, it might be able to take more responsibility for its

lending decisions. After all, how many private corporations have a board which

meets every couple of weeks, with dozens of full-time board members constantly

second-guessing the actions of the executive officers?

Finally, the report noted that while Bank lending had doubled in 30 years,

to $32.5 billion in 1999, its share of overall private sector capital flows

to developing countries was only about 2%, basically an irrelevance.

Private sector capital flows to developing countries do not, generally, have

anything to do with the development goals of the World Bank. Let’s say that

Ford builds a factory in Mexico: that could be a billion dollars of capital

flows right there, but it’s unlikely to help the poor of Chiapas get access

to cleaner water or better education. China is the classic example: essentially

all of the enormous capital flows into the country are aimed entirely at the

free-trade areas up and down the coast, while the vast majority of the country

remains untouched by investment. Most capital flows to developing countries

go precisely to the richest areas of the richest countries. There certainly

aren’t many private-sector capital flows to sub-Saharan Africa. In terms of

development, the World Bank is anything but an irrelevance.

Upon such terrain Mr. Wolfowitz’s parachute now lands. He should be prepared

for some stiff resistance to his reforms, including high-level departures to

whatever is the World Bank equivalent of Canada. But so be it: The Bank can

hardly demand good governance of its client states if it is incapable of imposing

some internal standards and controls.

Outsourcing its auditing functions–a move resisted by Mr. Wolfensohn–is just

the place to start.

As we’ve just seen, the Bank’s internal auditors are extremely tough already.

There’s no reason to believe that external auditors would be better, although

they would almost certainly be more expensive.

Another is to steer the Bank further away from making loans toward grants,

tie grants to performance, and measure performance using well-defined metrics:

miles of road built, number of students graduated and so on.

If the bank moved from loans to grants, then it would make no profits, and

have to go begging to its shareholders for all of its disbursements. Far from

doing more what its clients want, it would be completely at the mercy of its

shareholders. As for measuring performance, it sounds good in theory, but in

practice it’s pretty much impossible, since no one knows what the base case

is. If the World Bank gets involved in Liberia and the number of people dying

goes up, it still might be a lot less bad than if the Bank had not gotten involved

at all. Asking for easily-measured performance goals would simply mean that

the Bank would never be able to get involved in some of the most intractable

problems, like those of Haiti.

Some of Mr. Wolfowitz’s critics were already asking yesterday what expertise

a "neo-con" security intellectual could possibly bring to international

finance. But the former diplomat has plenty of knowledge of the Third World,

and has seen the Bank on the ground, in stints as Ambassador to Jakarta and

Assistant Secretary of State for East Asia. He served in both posts in the 1980s,

when the benefits of free-market reforms were blossoming in that part of the

world.

More important, Mr. Wolfowitz is willing to speak truth to power. In Indonesia,

and before that in the Philippines, he saw earlier than most, and spoke publicly

about, the need for dictators to plan democratic transitions.

Or, alternatively, he cravenly supported the Suharto regime. Believe whom you

like.

Too bad they didn’t take his advice. His predecessor at the Bank has devoted

a lot of time to berating democratic donor states for being too "stingy"

with their largesse, as if another $100 billion is all that stands in the way

between the poor and their redemption.

Well, there’s no doubt that it would help a great deal. If the US had given

that $100 billion to Jeffrey Sachs rather than Paul Wolfowitz, and used it in

Africa rather than Iraq, the world would today be a much better place than it

is.

In fact, it is the world’s dictators who are the chief causes of world

poverty. And it seems to us that if anyone can stand up to the Robert Mugabes

of the world, it must be the man who stood up to Saddam Hussein.

Robert Mugabe does not get any aid from the World Bank. On the other hand,

most of the world’s poor do not live in stable democracies. If the Bank were

to give money only to democratic regimes, it would be leaving most of its clients

with no hope at all. As one Donald Rumsfeld famously said, you go to war with

the army you have, not the army you might want or wish to have. It’s the same

with the war on poverty. It’s all well and good wishing that we could fight

the war on a liberal-democratic playing field, but that’s not the way the world

is. Let’s not turn global development into a mandate for regime change in developing

nations.

Note: I am indebted, for many of the points I make

here, to Sebastian Mallaby and his excellent

book on James Wolfensohn and the World Bank. If you’re at all interested

in either subject, I highly recommend you read it.

Posted in Politics | 14 Comments

Freakonomics

Last year, I said some nice

things about Steven Levitt and Stephen Dubner, or at least about an article

they wrote in the New York Times Magazine:

The best piece of all in the magazine, however, doesn’t look big, it looks

small. Stephen Dubner and Steven Levitt have found an absolute gold mine in

Paul F., a trained economist who now runs a bagels-and-doughnuts service for

local offices. His business runs on the honour system: throw a buck in the

box for a bagel, or 50 cents for a doughnut. And, of course, he’s kept detailed

data on delinquency rates, which go up when the weather is bad, or Christmas

is nigh, or even when the office exceeds a certain size. There are some wonderful

results…

The two Steves are very different individuals. Stephen

Dubner is a journalist and regular contributor to the New York Times Magazine

who wrote an article about Steven Levitt in 2003. From that article first sprang

the bagel story, and now a fully-fledged book, Freakonomics.

(In the book we get the bagel article all over again, except for now Paul F.

is graced with his full name: Paul Feldman.) The publishers liked my blog about

the article so much that they sent me an advance copy of the book; I liked the

article so much that I very much looked forward to reading it. A match made

in heaven, really – or at least in the blogosphere.

Steven Levitt is much

better known: mention his name to anybody even peripherally associated with

economics, and they have a tendency to get extremely excited. Levitt is not

a macroeconomist at all; rather, he’s an expert at microeconomics,

where he tries to find statistically interesting or important patterns in everyday

things. Just scrolling down his list

of recent publications is mouthwatering: whose interest wouldn’t be piqued by

a peer-reviewed article entitled "A Test of Mixed Strategy Equilibria:

Penalty Kicks in Soccer"?

In fact, Levitt has a strong interest in both sports and sports betting: he’s

shown that simply by betting on home underdogs in NFL games, people can break

even, and he has a secret plan (really!) to make money betting on horses. Unfortunately,

none of that material makes it into the book.

Rather, the aim of the book is to popularize Levitt’s work more generally,

and to introduce his brand of thinking to the general public in a format which

was slightly longer lasting than an article for the New York Times magazine.

Levitt would provide the ideas, and Dubner would provide the prose.

The book also, quite explicitly, aims to capitalize on the success of Malcom

Gladwell’s The Tipping Point, or Oliver Sacks’s The Man Who Mistook

His Wife For A Hat: books where anecdotal evidence is corralled in support

of broader, more empirical, and yet extremely original, ways of looking at the

world.

There’s a problem, however: it turns out that while Levitt does have a very

interesting way of looking at the world, he has very little in the way of broader

theses which he might wish to support. The authors make no bones about this:

Most books put forth a single theme, crisply expressed in a sentence or two,

and then tell the entire story of that theme… This book boasts no such unifying

theme. We did consider, for about six minutes, writing a book that would revolve

around a single theme – the theory and practice of applied microeconomics,

anyone? – but opted instead for a sort of treasure-hunt approach.

What that means, in practice, is a series of disjointed chapters, some of which

are much better than others. In fact, it’s the earlier ones which are better

than the later ones, which means that readers are likely to come away disappointed,

as though they were promised something which was never delivered. And due to

its disjointedness, if someone is asked what the book is about, they’re not

really going to be able to come up with an answer. The subtitle of the book

is "A Rogue Economist Explores the Hidden Side of Everything", but

that doesn’t really help us all that much – especially since Levitt, winner

in 2003 of the John Bates

Clark Medal (previous winners: everyone from Milton Friedman to Paul Krugman

and Larry Summers), is no one’s idea of a "rogue economist".

In fact, Levitt is entirely unthreatening to the economic establishment, which

is one reason why he and his co-author have to create a straw man, in the form

of something called "the conventional wisdom", against which Levitt

can valiantly fight. Yet after telling us in their introduction that "the

conventional wisdom is often wrong", the authors have no problem relying

on it whenever they feel like it.

The most egregious form of conventional wisdom is probably the urban myth:

something which millions of people believe, but which is entirely fictional.

Kidney harvesting,

that sort of thing. Once you know about urban myths, you generally know them

when you see them, and when my friend Paul told me a couple of years ago about

a friend of his who worked at a hospital and who witnessed an African-American

woman naming her daughter Shithead (pronounced "Shateed"), I didn’t

think it was the literal truth.

But here’s Levitt and Dubner:

Roland G Fryer Jr, while discussing his names research on a radio show, took

a call from a black woman who was upset with the name just given to her baby

niece. It was pronounced shuh-TEED but was in fact spelled "Shithead"…

OrangeJello, LemonJello and Shithead have yet to catch on among the masses,

but other names do… It would be an overstatement to suggest that all parents

are looking – whether consciously or not – for a "smart"

name or a "high-end" name. But they are all trying to signal something

with a name, whether the name is Winner or Loser, Madison or Amber, Shithead

or Sander.

In other words, when it suits them, Levitt and Dubner lap up the conventional

wisdom to the point at which they perpetuate something which has all the markings

of an urban myth. (Phone-in talk shows on the radio are one of the prime propagating

vectors of these things.) Most likely, the woman who phoned in genuinely believed

that at least one black woman (a "friend of a friend", no doubt) had

named her daugher Shithead, and she simply personalized the anecdote for the

sake of making it more immediate to the radio audience. That’s the way that

urban myths work: it’s always a friend of a friend, never a friend of a friend

of a friend. But Roland Fryer was simply laughing, so he didn’t check her claim

out, and Levitt and Dubner have now given a semblance of academic legitimacy

to what is essentially a racist stereotype.

In fact, there’s more than a little editorialising going on throughout the

book, often for no particular reason. In what I expect is going to be the jacket

copy on the hardback, we’re given a list of "provocative questions"

that Levitt asks, like, um, "Why do we spend more on chewing gum than on

campaign contributions?" In the event, that question is never really asked,

let alone answered. Rather, we get a section of the introduction which begins

like this:

Of all the truisms about politics, one is held to be truer than the rest:

money buys elections.

It ends like this:

What about the other half of the election truism – that the amount

of money spent on campaign finance is obscenely huge? In a typical election

period that includes campaigns for the presidency, the Senate, and the House

of Representatives, about $1 billion is spent per year – which sounds

like a lot of money, unless you care to measure it against something seemingly

less important than democratic elections.

It is the same amount, for instance, that Americans spend every year on chewing

gum.

Now it might well be true that "money buys elections" is conventional

wisdom. But I don’t believe that most people think that it is "truer"

than all other bits of political conventional wisdom, such as, say, the "divided

nation" hypothesis. And as for the chewing-gum factoid, a close reading

reveals that what the authors are doing is taking a whole election cycle –

four years, I would assume – and working out the annual spending per cycle.

In a presidential election year like 2004, it’s probably safe to say that Americans

spent much more on political donations than they did on chewing gum.

Normally, I would be much more forgiving of such rhetorical excesses than I

am here. But this is a book which claims to be solidly rooted in empirical and

indubitable data. The running theme of the book is "you might think

X, but in fact, Y". So lazy assumptions are more egregious here

than they are normally.

Levitt and Dubner like to get holier-than-thou when others make mistakes. At

one point, they eviscerate a homeless advocate named Mitch Snyder, for saying

that there were 3 million homeless Americans:

When Snyder was pressed on his figure of 3 million homeless, he admitted

that it was a fabrication… It may be sad but not surprising to learn that

experts like Snyder can be self-interested to the point of deceit. But they

cannot deceive on their own. Journalists need experts as much badly as experts

need journalists… Working together, journalists and experts are the architects

of much conventional wisdom.

So what happens when Dubner and Levitt – a classic pairing of a journalist

and an expert – get together? It may be sad but not surprising to learn

that even they can come up with decidedly dodgy numbers. Here’s one:

Economists have a curious habit of affixing numbers to complicated transactions.

Consider the effort to save the northern spotted owl from extinction. One

economic study found that in order to protect roughly five thousand owls,

the opportunity costs – that is, the income surrendered by the logging

industry and others – would be $46 billion, or just over $9 million

per owl.

When alarmist figures in the billions start getting quoted, I immediately start

getting suspicious. So I

went to the footnotes, which cited a paper by Jason Shogren from which, I believe,

this

is extracted. Here’s what Shogren actually writes:

Opportunity costs have been estimated for a few high-profile, regional ESA

conflicts such as the northern spotted owl. One study estimated that an owl

recovery plan that increased the survival odds to 91 percent for a population

of about 1,600 to 2,400 owl pairs would decrease economic welfare by $33 billion

(1990 dollars), with a disproportionate share of the losses borne by the regional

producers of intermediate wood products, a relatively small segment of the

population (Montgomery et al. 1994). If the recovery plan tried to push a

goal of 95 percent survival odds, costs increased to $46 billion. Another

study estimated the short-run and long-run opportunity costs to Washington

and Oregon of owl protection at $1.2 billion and $450 million (Rubin et al.

1991).

In other words, Levitt and Dubner have taken the very highest estimate from

Shogren’s paper, one which Shogren didn’t even come up with himself, and used

it uncritically. They could have used the $1.2 billion and $450 million estimates

instead, of course, but chose not to for reasons we can only guess at.

I also sent Shogren an email, asking him what he thought of this use of his

number. He said that the $46 billion was "an outside estimate," and

added:

We used the number to illustrate what little we do know about costs of the

Endangered Species Act. Other numbers we cite in the paper say that the ESA

is more about transfers of wealth (from agricultural to recreation) than about

the loss of wealth. 

The really weird thing is that the factoid aboout the spotted owl seems to

have been dropped into the book utterly randomly: it’s there only to illustrate

the broader point that economists try to measure all manner of different things.

But why would Levitt and Dubner concentrate only on the costs of saving the

spotted owl, while ignoring the benefits? And why would they pick a number which

seems designed to shock, rather than a much more reliable number which is less

shocking, like the cost per life saved of installing various safety features

on roads or subways? The broader context, after all, is that of abortion, and

whether it’s possible to quantify the costs and benefits of abortion, after

taking into account its role in lowering the crime rate. Saved lives, in this

context, seem far more germane than saved owls.

But throughout the book, the authors veer wildly between presenting Levitt’s

research and presenting striking information (Shithead! $46 billion! Chewing

gum!) seemingly just for the sake of showing readers how crazy this world is.

When Levitt and Dubner venture into the anecdotal, then, this is a weak book.

I’m sure that the decision to do so was based on conventional wisdom within

the publishing world: that if you want to write for a mass audience about empirical

ideas, then you have to boil everything down to anecdote. So much for ignoring

conventional wisdom.

The empirical parts of the book are much stronger. Chapter 1, for instance,

entitled "What Do Schoolteachers and Sumo Wrestlers Have in Common?",

gives a number of good examples of when people cheat, and how statisticians

like Levitt can catch them doing so. First are Chicago schoolteachers: by looking

at raw test results, Levitt could see where they had altered their pupils’ scores

before handing the tests in. Then there are the sumo wrestlers: it turns out

that pairs of them often engage in deals where one wrestler will win one match

and the other will win the next, when such a deal will keep the first wrestler

in the top leagues. Again, this is quite clear from the statistical data, if

you know where and how to look.

Even in this chapter, however, with three different examples of Levitt’s work

(here’s where we find the bagel guy), the authors aren’t happy unless they add

in some extra colour. So we get padding, too: apparently another teacher cheated,

at the University of Georgia, in 2001. There was no statistical analysis involved

in his capture, and his story doesn’t help the structure of the chapter at all,

but we’re told about it anyway: if we’re interested in cheating schoolteachers

in Chicago, might we not be interested in cheating university teachers in Georgia?

I think the inclusion of the story betrays a certain lack of faith in how compelling

Levitt’s story really is. While Levitt is interested in ways of catching cheats,

the chapter’s attention keeps wandering from that subject, which means we end

up learning about other forms of cheating, as opposed to other forms of detecting

cheating.

Elsewhere, we’re treated to a mildly diverting treatise on the economics of

fear, first introduced in Chapter 2, when the authors discuss how a very small

number of lynchings managed to cow an entire race into submission during the

1940s.

There are few incentives more powerful than the fear of random violence –

which, in essence, is why terrorism is so effective.

This is expanded upon in Chapter 5:

Fear best thrives in the present tense. That is why experts rely on it; in

a world that is increasingly impatient with long-term processes, fear is a

potent short-term play. Imagine that you are a government official charged

with procuring the funds to fight one of two proven killers: terrorist attacks

and heart disease. Which do you think the members of Congress will open up

the coffers for? The likelihood of any given person being killed in a terrorist

attack are infinitessimally smaller than the likelihood that the same person

will clog up his arteries with fatty food and die of heart disease. But…

Let’s put to one side the fact that "infinitessimally smaller" actually

means "of roughly the same size". This is all prefatory to Levitt’s

determination to teach parents that swimming pools are more dangerous than guns,

and that we ought to be more afraid of everyday killers than we are of rare

occurrences like terrorist attacks. The problem here isn’t that Levitt is wrong;

in fact, he’s absolutely right. But he’s hardly a lone warrior in this war.

Here’s

Senator Joseph Biden of Delaware, in this week’s New Yorker:

I would say to John [Kerry], ‘Let me put it to you this way. The Lord

Almighty, or Allah, whoever, if he came to every kitchen table in America

and said, “Look, I have a Faustian bargain for you, you choose. I will

guarantee to you that I will end all terror threats against the United States

within the year, but in return for that there will be no help for education,

no help for Social Security, no help for health care.” What do you do?’

“My answer,” Biden said, “is that seventy-five per cent

of the American people would buy that bargain.”

So Levitt gets it, and Biden gets it. But Biden puts it in a more arresting

way, and he doesn’t rely on vaguely inchoate notions like "a world that

is increasingly impatient with long-term processes". And he certainly

doesn’t provide, at the end of a list of "Suggested Interview Questions",

this:

14. You say your ultimate aim is to figure out a way to use economic data

to fight terrorism. How would you do it?

Levitt, it seems, wants to have his cake and eat it: on the one hand he tells

us that we shouldn’t be nearly as afraid of terrorism as we are, and then on

the other he (or his publicist) says that his "ultimate aim" is to

fight terrorism.

And just like the University of Georgia’s cheating professors, the stuff on

fear serves as extra padding. In the first chapter there are two full pages

of alphanumerical data, which we’re actually given, rather than simply told

about. The final chapter is much worse: it has no fewer than 26 different tables

listing various boys’ and girls’ names, sorted according to popularity, sex,

what they indicate about the race of the child, what they indicate about the

level of education of the child’s parents, and so forth. There’s even a table

telling us that the mother of the average Jasmine has 12.88 years of education,

compared to 11.94 years of education for the average Jazmine’s mother and 13.23

years of education for the average Jasmyn’s mother.

All of these tables do a great job at taking up space in this very short book,

but their dialectical purpose, I have to admit, defeats me. The beginning of

the chapter (subtitile: Would A Roshanda By Any Other Name Smell As Sweet?)

includes one marginally interesting empirical result: that a black child with

a distinctly black name does not suffer quantifiable economic disadvantage in

comparison with an identical black child with a distinctly white name. Once

we’ve discovered that, however, we then go on a veritable fun-ride of naming

conventions and correlations, to no obvious end. Here’s the final conclusion

of the final chapter (if you don’t include the Epilogue):

What the California names data suggest is that an overwhelming number

of parents use a name to signal their own expectations of

how successful their children will be. (Bold emphasis mine; italic emphasis

the authors.)

Nowhere in the chapter have we been told about the numbers of parents who choose

various different types of name, or the numbers who don’t. There have been lots

of lists of names, but no numbers at all: the whole chapter reads as though

if you pile up enough anecdote, you can generate empirical conclusions by sheer

mass alone.

It conceivable, although I doubt it, that there’s something in the data which

supports the authors’ conclusion. There’s certainly nothing in the book, however.

If they know how many parents use a name to signal their own expectations of

how successful their children will be, why don’t they tell us? And if they don’t

know what the number is, how do they know that the number is overwhelming?

One of the problems is that by this point in the book, the authors have seemingly

run out of Levitt studies to talk about. There were three in the first chapter,

you’ll recall; there are two in Chapter Two – a study of how estate agents

get higher prices for their houses, and another on discrimination in the TV

program The Weakest Link. In Chapter Three there’s one, on the economics

of a gang of crack dealers. Apparently it’s much the same as the economics of

McDonald’s.

Chapter Four brings together Levitt’s other studies on crime: how adding policemen

brings it down, and how it’s related to both the crack epidemic and to abortion

rates. Chapter Five barely touches on Levitt research; one study about the black-white

test score gap is mentioned. And Chapter Six, as we have seen, starts with Levitt

research on the consequences of having a distinctively black name, and then

sets off into uncharted territory.

As the amount of empirical research underpinning each chapter slowly ebbs away

over the course of the book, the authors are forced to cast their net ever wider

for interesting, if dubiously relevant, anecdotes. We’re given a potted history

of the Ku Klux Klan. We find which words correlate with high prices in real-estate

ads. We learn how to get a date from online dating sites. We’re asked what crack

cocaine has in common with nylon stockings.

And, at the beginning of each chapter, we get a little excerpt from Dubner’s

original profile of Levitt, including some extremely personal information which

felt to me at least rather gratuitous. By the end, we’ve learned not only that

Levitt lost his firstborn son to pneumococcal meningitis, but also that his

coauthor on one paper, Roland Fryer, was abandoned by his mother, beaten by

his alcoholic sex-criminal father, and became a gun-toting drug dealer before

turning his life around and ending up at Harvard.

This isn’t economics, and it isn’t freakonomics. It’s prurient biography masquerading

as illuminating anecdote.

Which brings me to the question of what, exactly, these anecdotes

are purportedly illuminating. The authors go to great pains to say that "there

is no unifying theme" to the book, but I’m not sure that’s true. Underneath

it all, I definitely detect a right-libertarian stance, which is all the more

noticeable for the authors’ protestations that it isn’t there. Here’s an excerpt

from the introduction to the abortion chapter:

Conservatives were enraged that abortion could be construed as a crime-fighting

tool. Liberals were aghast that poor and black women were singled out. Economists

grumbled that Levitt’s methodology was not sound. As the media gorged on the

abortion-crime story, Levitt came under direct assault. He was called an ideologue

(by conservatives and liberals alike), a eugenicist, a racist, and downright

evil.

In reality, he seems to be very much none of those.

That, I think, is what is known as setting the bar very low. I’m sure that

Levitt is not downright evil, nor is he racist, and nor is he an ideologue.

But over the course of the book, the authors do seem to have been spending quite

a bit of time in the shadow of Ayn Rand. (Levitt is at Chicago, don’t

forget.) From reading the book, we learn that:

  • Big Government is bad, especially in its more lefty manifestations: look

    at those cheating Chicago public schoolteachers, or the insane cost of the

    Endangered Species Act. Left-wingers are really bad: look at the

    made-up numbers of that homeless advocate. Right-wingers are also bad, but

    maybe not as bad: the Trent Lott affair is referred to in the table

    of contents with the question "Is Trent Lott more racist than the average

    Weakest Link contestant?" (The answer, one assumes from the

    question, is no.) And if you’re worried about the influence of money in politics,

    don’t be: there’s barely any.

  • If you’re relying on anybody else to make your life better, your faith is

    probably misplaced. Doctors, real-estate agents and other experts are basically

    self-interested. Even your parents might want to make your life better,

    but in fact they aren’t "likely to make a shard of difference,"

    whether they’re choosing schools, buying car seats, or choosing names. Our

    destiny is largely set at birth: who our biological parents are is much more

    of a determining factor than anything else. If your parents are poor and black,

    they’re very likely to give you a ridiculous name, and you are relatively

    likely to become a criminal.

  • Some individuals, however, transcend their destiny. Steven Levitt "is

    the guy who, in the slapstick scenario, sees all the engineers futzing with

    a broken machine – and then realizes that no one has thought to plug

    it in." Stetson Kennedy had "a stroke of brilliance" when he

    leaked secret Klan information to The Adventures of Superman radio

    show and became "the single most important factor in preventing a postwar

    revival of the Ku Klux Klan in the North". Roland Fryer went from gangbanger

    to Harvard economist.

At heart, Freakonomics is not a book about economics at all: it’s

a book about a hero who can ask the right questions and uncover the truth. Once

you’ve read it, you’ll know lots of interesting facts you didn’t know before.

But it won’t make you stop and think (stopping and thinking is the job of the

hero), and it certainly won’t "literally redefine the way we view the modern

world," as the jacket copy has it. You know how that crack gang was just

like McDonald’s? Well, this book is too. You finish it off quickly, but end

up vaguely dissatisfied: all the added sweeteners and calories serve to mask

the fact that there’s very little protein or nutritional value.

If you’re interested in Steven Levitt the person, then by all means read Freakonomics:

you’ll learn a decent amount about him and his interests. If you’re interested

in his work, however, I’d advise waiting for his next book, or maybe trying

to track down his original papers. This short and hurried book is not the book

you’re looking for.

Posted in Finance | 27 Comments

Calipari and rendition

The Bush administration, I think it’s fair to say, never tells the truth when

it would be better served by a lie. We saw this when it came to WMDs, of course,

but we’ve also seen it time and time again in the context of fiscal policy –

especially with regard to how much various spending bills are estimated to cost.

So when the New York Times led its flagship Sunday edition with the Bush administration

giving the official take on the fraught subject of rendition, I would have liked

to have seen a certain amount of pushback from the newspaper of record. Instead,

the Times simply caved.

A bit of recent history: in February, the New Yorker ran a magnificent

article by Jane Mayer on the subject of rendition – essentially, the

way in which the USA sends suspected terrorist sympathisers off to nasty regimes

like that of Syria, to get tortured. The title of the piece was "Outsourcing

Torture", and the meticulously-reported story told us not only that what

we had always suspected was true, but that it was actually having a seriously

detrimental effect on the war on terror.

Fast forward to this Sunday, and the Times leading with their impeccable source,

the well-known "senior United States official". Here’s the background,

from the Times story:

The official declined to be named but agreed to discuss the program to rebut

the assertions that the United States used the program to secretly send people

to other countries for the purpose of torture.

The New Yorker article is never mentioned, although its are clearly the "assertions"

which the official was trying to rebut. Immediately, we see two major problems.

Firstly, we have a situation where we’re being asked who we believe: the excellent

(and, no doubt, fact-checked to within an inch of its life) New Yorker story,

or a Bush Administration official who simply asserts abstract "facts"

without providing any specific detail. Already, I’m tending to believe the New

Yorker. But then it turns out that the administration official is insisting

on anonymity: in other words, he (or she) faces zero repercussions whatsoever

if it turns out that everything he was saying was an outright lie.

How and why did the Times decide to make this person the lead story, rather

than insisting that if the Administration wants to put the record straight,

it should do so on the record? Here’s the central assertion, literally incredible

on its face:

The official refused to say how many prisoners had been transferred as part

of the program. But former government officials say that since the Sept. 11

attacks, the C.I.A. has flown 100 to 150 suspected terrorists from one foreign

country to another, including to Egypt, Syria, Saudi Arabia, Jordan and Pakistan.

Each of those countries has been identified by the State Department as habitually

using torture in its prisons. But the official said that guidelines enforced

within the C.I.A. require that no transfer take place before the receiving

country provides assurances that the prisoner will be treated humanely, and

that United States personnel are assigned to monitor compliance.

"We get assurances, we check on those assurances, and we double-check

on these assurances to make sure that people are being handled properly in

respect to human rights," the official said.

Uh-huh. The US is sending detainees to Syria, and then is so chummy

with the Syrians that it can check and double-check that the detainees are not

being tortured. "The Syrians might torture their prisoners," seems

to be the Administration line here, "and they might be a sworn enemy of

the United States, but we’re sure they’d tell us if they were torturing the

prisoners they got from us."

And, if it’s not to torture the prisoners, why is the US sending them into

these unspeakably gruesome penal systems? Don’t you know, it’s just a question

of cashflow:

The transfers were portrayed as an alternative to what American officials

have said is the costly, manpower-intensive process of housing them in the

United States or in American-run facilities in other countries.

Right. Let’s say it costs $100,000 to house a prisoner in Guantanamo.

If the US has subjected 150 individuals to rendition instead, that’s $15 million

"saved". Surely there’s no conceivable way that the CIA-run rendition

program, complete with a Gulfstream private jet, could cost less than $15 million.

Yet the Times lets the anonymous Bush administration official get away with

this insanely implausible assertion, as though anybody believes that the administration

is so concerned by matters fiscal that it will risk sending individuals into

the arms of torturers just to save a couple of million dollars.

One of the central points of the New Yorker article is that the whole rendition

program is counterproductive: information gleaned from tortured individuals

is neither reliable nor admissible in a court of law. So even if a terrorist

confesses under torture that Person X is a mastermind who is planning to blow

up the world, that information can’t be used in the X’s trial, and he might

well end up getting set free – as has already happened in Germany. Hell,

the US won’t even provide its detainees to its own legislature: the Congressional

9/11 Commission tried to talk to them, or at the very least put questions to

them, but wasn’t allowed to by the CIA.

So, on a larger scale, goes it with Administration lies. If the Bushies are

seen to be lying all over the front page of the New York Times, then it becomes

much harder to believe them when it comes to questions such as that of the killing

of Nicola Calipari, the international operations chief of Italy’s military intelligence

service.

Calipari was killed, of course, but two Italians in the car survived, and both

of them strenuously dispute the version of events given by the Americans who

killed him. For once I’m inclined to believe the conspiracy theorists: the Americans

hate it when hostages in Iraq are ransomed, and opened fire on the Italian journalist

quite deliberately. (Eason Jordan, do you feel vindicated now?) No one in Italy

seems to believe the American version of events, and it’s very hard to believe

that sophisticated Italian intelligence officers would behave in the way that

the Americans say the driver of the car behaved. On the other hand, given that

the Americans had only one chance to intercept Giuliana Sgrena between her rescue

and her arrival in Italy, it’s easily conceivable that they took that chance

to try to scupper the deal by force.

If I could think of a single instance where the Bush administration told the

truth despite the fact that they would have been better served with a lie, then

I might be more inclined to believe them this time. But given the cavalier attitude

which they have repeatedly demonstrated both to the truth and to the press,

and given the laughable assertions they made as recently as Sunday on the front

page of the New York Times, I simply have no basis to believe what they say

any more. And I doubt many people in Europe feel any differently.

The USA has simply lost its international credibility, and so long as George

W Bush remains in the White House, I can’t think of any easy way it can get

it back.

Posted in Politics | 3 Comments

Jolly

I have just been on a most spectacular jolly down a fjord on (in? at?) South

Georgia. Drygalski Fjord. Spectacular. Even those who had seen rock in the last

year were staring with gaping jaws. And grinning like pigs, if pigs could grin.

We’re talking ice, ICE, 30m high at the end of the glacier and that’s

just where it pours off the rock. Glaciers everywhere it seems, to my uneducated

eye. And cliffs, mountainous, peaks in the clouds, towering around us. I couldn’t

really cope with the scale. From our little dinghy it all seemed very big but

then, when I got back on the Shack, it all seemed even bigger.

Tall, straight cliffs plummeting into deep aquamarine milky blue glacier water.

The spray of salty ocean in my face, the taste, the smell of seaweed and cry

of birds all around us.

All these great memories overwhelmed by the magnificence of the land around

us. The Fjord is long and deep, as you would expect, but reasonably wide. Wide

enough to hold many bays each with it’s own glacier pouring into the ocean.

From a bird’s eye view it could well have all been the same glacier with

many outlets but I didn’t have a bird’s eye view. I was at sea level

in an inflatable boat, loving the waves. At the far end of the first end we

visited (that I at the time thought was the only end to the fjord), were hundreds

of little storm petrels floating on the surface, below the ice cliff. Like flies,

but pretty. Further back, a bunch of giant petrels gathered around us, trailing

water as they ran and flapped in an attempt to become airborne. A few penguins,

camouflaged on the black and white scree. The occasional seal, loafing. But

these were the jesters giving scale to the land, the ice, the rock, ice pouring

on ancient timescales, splashing into the bay beside us.

The last fjord we visited was called Larsen Harbour. I don’t think any

of us jolly merchants knew where we were going at this point, or what to expect.

If the main fjord was a motorway, this subsidiary was the lane you leave on.

(I can’t even remember the words for these things!) It was thin and quiet,

sheltered, the cliffs towering and vertical. And long. We explored, our little

boat and the fibreglass rescue craft, continually expecting an end in sight.

And it kept going: deep, thin and quiet. Oh yeah, and cold. Our skipper stopped

the boat at the far end and out we climbed. That’s right, we climbed out.

The first rock I have stood on for 14 months. Not a bad re-introduction I would

say.

The above happened three days ago. Since then we’ve spent two days at

Grytvikken and are now floating off the coast of Bird Island. My feet have been

re-introduced to land! And how luscious it feels. Soft soggy green moss that

bounces underfoot, rocks, hard to touch, warm wind. Falling asleep outside in

the sun after eating a packed lunch. Entire days outside without having to fear

the inevitable cold encroaching. T-shirt weather. Hills.

South Georgia was still as beautiful

as ever and the people and wildlife as friendly. King penguins, elephant seals,

juvenile furries, albatrosses, petrels and blue-eyed shags. The South Georgia

pintail: beautiful innocent looking carnivorous ducks. Annoying prickly stickly

burnet clusters that stick all over your feet and legs. Men playing football

on the old pitch set up by the whalers early last century. The old church, I

rang the bells, tiny star-shaped flowers in the dry grass, tussock grass hiding

fur seals and other dangers, a king penguin with freshly hatched chick. The

rusty whaling station and old dam for hydroelectric energy. A crashed helicopter,

a WW1 gun, wildlife overtaking them all. If any of you out there reading this

ever consider an Antarctic cruise, make sure this island is on the itinerary!

Posted in Rhian in Antarctica | 3 Comments

A broken market

Imagine it’s still 2000: during the bubble, before Spitzer. The market’s white-hot,

and IPOs from hyped young companies are hugely in demand. The broker-dealers

deliberately underprice the IPOs they get, guaranteeing mark-to-market profits

for their favoured customers – the ones who can get in at the IPO price.

That’s bad enough, and in fact is more or less what happened in the US stock

market a few years ago. It also meant that virtually every bank on Wall Street

ended up paying a lot of money out in settlements, and many high-profile executives

were fined, lost their jobs, or worse.

But let’s say it didn’t stop there. Let’s say that the deliberate underpricing

applied not only to IPOs but to secondary offerings as well: that broker-dealers

would sell stock in Google, say, for $20 a share even when it’s already trading

in the secondary market at $185.

And that’s just the beginning. Broker-dealers also quite explicitly sell access

to their offerings for cash: you give me money now, and I’ll make sure that

you’re able to get in on the ground floor in the future.

And the much-prized access to IPOs and secondary offerings is based only partly

on the basic market relationship of how much money the investor has and how

much they trade with the broker-dealer. A lot of other factors come into play,

such as who you know, what your surname is, and whether you have managed to

gain a good reputation in the market already. In fact, it’s reached the point

at which investors wanting in on those offerings end up employing other people,

with good names, to represent them – just so that they can get the necessary

access to the broker-dealers. It’s a whole second level of intermediation: the

broker-dealers are the intermediaries between the issuers and the investors,

while there are also "consultants" who intermediate between the investors

and the broker-dealers.

But wait: there’s more. Let’s say that there’s a small open liquid market but

that there’s a much larger behind-the-scenes market, with opaque prices, where

the broker-dealers put together trades between buyers and sellers without ever

having to disclose how much is being paid. What’s more, the broker-dealers feel

so threatened by the open market that they quite explicitly try to place their

IPOs only with investors who won’t ever try to take profits by selling in public.

Much better that their investors, if and when they do want to sell, come back

to the original broker-dealer, and place the property for sale privately, giving

the broker-dealer another chance to make money as well as giving them valuable

proprietary information that is not available to the rest of the market.

In this market, the most revered investors are buy-and-hold funds which never

(OK, which almost never) sell their holdings. These super-investors make their

holdings public, and all the broker-dealers want to sell to them. The problem

is that the super-investors rarely if ever buy in the IPO market: they prefer

to sit back and use their enormous leverage behind the scenes, often acquiring

from smaller investors at prices well below market. One broker-dealer, in an

attempt to get an issuer into one of the super-investors’ portfolios, has even

told his normal investors that they have to give the lion’s share of whatever

they buy in the IPO market directly to a super-investor. No gift, no deal, and

the investor gets nothing at all.

You get the picture? So now a magazine runs an exposé

about all this, and a major blogger responds

with this:

"So [this stuff] sells and a lot of people want to buy it. Great. But

so what? And, er, isn’t people wanting to buy [this stuff] a good thing

for [issuers]?"

Well, I’ve given it away now. The market I’m talking about is the art market,

the broker-dealers are the galleries, who are both brokers (trading privately

in the secondary market) and dealers (offering new works of art for sale). The

issuers, of course, are the artists, the investors are the collectors, the super-investors

are the museums, and the small open market is that provided by the auction houses.

The New York Magazine piece is shocking, and one of the most shocking

things about it is that it really doesn’t tell us anything we didn’t already

know. We’ve all become so used to the situation in the art world that it’s impossible

to shock us any more, even when we learn that galleries are selling paintings

to favoured collectors at just 10% of the price they would receive at auction;

even when we learn that a collector who spends more than $1 million a year on

contemporary art had to "invest" $75,000 in the Project Worldwide

gallery just in order to be able to be allowed to buy the art it was showing.

(And still he wasn’t able to, in practice: the paintings he’s now suing over

went to Jeanne Greenberg Rohatyn instead.)

What’s more, the galleries are quite shameless about their own behaviour: as

the article says, "dealers often rejoice, and collectors despair, that

the art world is the last big unregulated business in America." It’s so

clubby that even a budget of $1 million a year isn’t enough to give you real

clout: for that you need to be spending, um, real money. Like $300

million money.

The system as it stands doesn’t just benefit the galleries at the expense of

the collectors. It also benefits the galleries at the expense of the artists

(who could get much more money for their works than they get from their galleries),

and, more broadly, it benefits the established art-world names at the expense

of smaller players and newcomers. It creates enormous barriers to entry, especially

for anybody who might be interested in collecting art, and it creates a general

atmosphere of distrust and resentment which makes the art world one of the bitchiest

and most unpleasant arenas that anybody could ever consider getting involved

in.

It used to be the case that someone with a great eye and limited funds could

amass an impressive art collection just by buying early in artists’ careers.

Today, collectors buy the work of great artists at low prices the whole time.

But those prices are only available to the richest and most established collectors:

Charles Saatchi, say, could snap up that Elizabeth Peyton from Gavin Brown for

$50,000 (that’s what they were priced at, at her last show there), but you

sure couldn’t. You will need to wait – and wait – and wait

– and eventually something will come up for auction, and there will be

such a frenzy for such a rare piece that it will go for half a million or more.

Which is just as artificial a number as that original pricetag.

Upshot: If you’re thinking about collecting contemporary art, don’t. You might

be OK if you limit yourself to multiples – just remember that prints on

paper have to be kept away from daylight. In general, however, the art market

is a high-stakes game played among sophisticated insiders, and you

weren’t invited.

Posted in Culture | 10 Comments

The Birth of Icebergs

I’m not sure why I’m destined to love one of the most remote and inaccessible

places in the world. Perhaps it is just one of those quirks of character that

define who you are and which, try as you might, you can’t change. I could avoid

it as an impractical dream or, helped by good fortune, obey.

On Wednesday I was craned onto the RRS Ernest Shackleton, my once-was home,

and waved goodbye to the friends we are leaving on the shelf. This time there

were just six of them, tiny spots on the massive sheet of ice, immediately separated

from the ship by an ever-increasing space of cold blue. Everyone present at

the scene knew instinctively which side of that gap they wanted to be on. And

most were satisfied.

Gut reactions teach you a lot even if outward displays of emotion are often

discouraged. Leaving Halley, and pulling away from the ice that day was one

of the hardest things I can remember doing. Not hard like difficult, since I

had no choice so in fact it was very easy. Hard like gut wrenching. Hard like

“I don’t want to do this”. Just hard.

Simon’s sister left a message on my last blog saying she thinks I’ll be back.

Thanks, Alice, thanks for your faith in me. As for Simon, I’ll miss him lots

but I know I’ll know him for much longer than either of us are at Halley. Leaving

him, and leaving the others here, isn’t the most traumatic aspect of the separation.

Leaving the ice and the moment that can never be repeated was the wrench. Knowing

that there is a possibility, even a likelihood, that I’ll never come back.

Judging by my gut reaction just now, however, I guess I’ll have to return to

something like this.

The ship was moored at N9. No, was sitting at N9, not moored as it couldn’t

get close enough to the edge of the ice. Sitting in what seems like a big cul-de-sac

of water, surrounded by ice shelf on three sides. Ice shelf with cracks. I dozed

for most of the white journey to the ship and realised that I haven’t slept

in the back of a ground-based vehicle for years!

The ship was, I must confess, in a majestic spot. Nestled in a bay, surrounded

by ice cliffs. We assembled our clatsch, chatted for word of direction, turned

around, and boom – there in front of us was a great big iceberg that I

could swear hadn’t been there before. The cliffs were literally crumbling around

us. A large tabular berg floated on past, oblivious that its latest bump with

the shelf had created another loner in the ocean. This is the land where icebergs

are born.

We were craned onto the ship, hanging onto the Wor Geordie, a big net that

floats, across the ocean gap. I didn’t want to join the ship; I didn’t want

to leave the ice. For the rest of the day I kept a low profile. The next day

was a real treat, however, and slowly I was reminded that there are other good

things in the world too. We sailed up and down the coast, investigating potential

creeks where we could collect the remaining people on Friday. Into creek two,

creek five, creek seven, nuzzling the ice, stepping back and watching the coastline,-

the formation of creeks and their source at the Rumples. Halley in context.

To many short-term visitors the creeks must have all looked the same, but to

us, each one was a new discovery. And in the evening? Sea smoke. The Earth System

doing its damndest to remind me of the continuing revelations that are out there.

Sea smoke. Magical. Pouring off the cliffs, hitting the warmer water, floating

and surrounding us. The sun set and the moon rose. You can’t ask for more really!

Friday really was our last day at Halley. We picked the remaining people up

at creek 7 and a few lucky ex-winterers, myself included, got to go on the ice

again. It was possibly the most picturesque spot yet and appropriate to be manhauling

food and bags as a final task on the ice. It felt really good to be back there

again, one last time.

Once all were aboard, we cruised around to creek 2 to wave goodbye to the wintering

crew. The ship was sailing across water that we drove 7 tonne containers across

only a couple of months ago. The sea ice has gone completely, the cliffs have

crumbled. That crevasse I explored on my winter trip – now open to the

world. Bizarre.

Seeing the winterers one last time was fantastic, so close we could shout across

to them and had to dodge flares they sent our way. They were happy to see us

go, I know that, as happy as I was last year, and will have a fantastic year.

Strange as we sailed away though, seeing these 14 small spots and knowing they

were the only humans around on all the ice I could see to the horizon and far

beyond. Within a few hours Antarctica was barely a stripe on the horizon, within

a day the occasional iceberg was all that I had to remind me of where we had

been.

Posted in Rhian in Antarctica | 7 Comments

Michael Wolff’s speech

Professional media gadfly Michael Wolff delivered the opening keynote address

at the 2005 SIIA Information Industry Summit in New York at the beginning of

February. Hundreds of digital content professionals heard his speech; it caused

a bit of a stir at the time, largely because he said that the Wall Street Journal

"kind of disappeared" in the mid-90s:

I think the fact that the Journal felt that it was powerful enough to charge,

and for a long time everyone regarded the Journal’s activities online as the

ultimate. They had unlocked the puzzle. In fact, I don’t think they did. I

think they locked themselves into a puzzle.

The speech was recorded by the SIIA, and then given by the SIIA’s flack, David

Williams, to IWantMedia.com. IWM then sent it off to be transcribed, and published

the full transcript on their website.

Michael Wolff was not happy about this.

I don’t know why Michael Wolff wasn’t happy. I suspect that he wasn’t happy

because the speech was a little bit informal, and a little bit embarrassing.

When people get paid money to give speeches, as I’m sure Wolff was, they often

drop in little juicy bits of gossip to make their audience feel that much more

insidery. In print, however, those bits of gossip can look more like self-aggrandising

name-dropping:

I have a good story. I mean, this is a really good story never before told.

At least never before told in public.

A little less than a year ago I was out at a conference on the West Coast.

And there was a guy at this conference who in New York we refer to as the

mysterious billionaire. We have no idea what he does, but he lives in the

largest private residence in Manhattan. That’s what everybody always says,

that specific phrase: "He lives in the largest private residence in Manhattan."

He also travels in a private plane, which I had once been on. I went out to

Kennedy and there were all these G5s parked there. And I started to kind of

move over to them, and the guy taking it out said no and shifted my attention

to a 767.

I got on this plane first with some other people. And then the mysterious

billionaire came on, followed by three teenage girls (not his daughters).

At any rate, we’re at this conference and it finishes and he’s going to L.A.

and offers me a ride on the plane. As a matter of fact, he says, you can sit

up front if you want. So we go out. I follow him out to his car and then we’re

quickly followed by two other guys. It’s Larry

Page and Sergey Brin, whom I’ve met before…

In any case, it turns out that Michael Wolff had either failed or refused to

sign the SIIA’s standard release form, which allows them to disseminate and/or

republish the speeches of their speakers. Williams didn’t know this when he

sent the speech to IWM, but he certainly knew it when a furious Wolff phoned

him up demanding that the speech be taken down. "No one realised Michael

Wolff didn’t sign the release," Williams told me when he called me earlier

today. "And nobody reckoned that IWantMedia would get it up so quickly.

And nobody realised what Michael Wolff’s reaction would be."

Willliams also told me, per Wolff’s statement

to FishbowlNY, that IWM had sent the recording out to be transcribed, and that

the quality of transcription was, indeed, pretty poor.

When Williams asked IWM to take down the transcription, explaining that he

shouldn’t ever have sent them the recording in the first place, they complied.

But I happened to have a copy of the IWM page open in my own web browser, and

I couldn’t help but notice the

irony in the situation. In the speech, Wolff congratulates himself on being

right that "information wants to be free"; then, after his speech

becomes public, he tries to unpublish that information. But in the age of the

internet, as Wolff himself should know better than anyone, that’s simply impossible.

I proved that myself, by putting a copy of the IWM page up on felixsalmon.com.

That was a week and a half ago. Today, I got that phone call from David Williams

at the SIIA, asking me to take down the page, and telling me that if I didn’t,

I would probably get something called a "takedown notice". Williams

made it clear that if he had his druthers, he would have left me alone: after

all, virtually no one was reading that particular page any more, and asking

me to take it down, a la Puma,

could simply rekindle interest in a story which everybody had already moved

on from. When I asked Williams whether he was explicitly or implicitly threatening

any kind of legal action against me, he said that "I’ve felt and argued

from the very beginning that that would do more harm than good."

Williams, in other words, gets it. Wolff, on the other hand, doesn’t. I left

Williams with a choice: we could either let sleeping dogs lie, or he could ask

me to take down the page – which I would, on the understanding that in

doing so, I would certainly explain why I was doing what I was doing.

Today, I am taking down the page – something I always refused to do when

Puma was after me. I’m doing so because, in this case, I think I’m actually

breaking copyright law. The speech is Michael Wolff’s intellectual

property, and me reprinting the transcript in toto does not, I think,

count as fair use. Williams phoned me back shortly after our first conversation,

this time conferencing me in with Keith Kupferschmid, the SIIA’s Vice-President

for Intellectual Property Policy & Enforcement. "Michael Wolff clearly

has intellectual property rights," Kupferschmid said: "he owns the

copyright rights in the transcript". My reprinting that transcript, I was

told, plausibly enough, was a violation of copyright law.

That said, I’m perfectly happy to link to anybody else who might want to host

that particular webpage; if you want to read what it said, Google Cache still

has it. Kupferschmid told me that "I’m hopeful nobody would take a

complete copy of the transcript and put it up" on the internet. If anybody

does, they can certainly expect me to link to them, but they can also expect

a phone call from either Williams or Kupferschmid in short order.

Williams and Kupferschmid, I think, are likely to have something of a thankless

task ahead of them. Every time somebody mirrors the page, they’re going to have

to get on the phone and try persuade that person to take that mirror down –

something which won’t be easy, especially if it’s hosted abroad. They don’t

even particularly want to make all those phone calls, but they’re thankful

to Wolff for speaking at their conference, and they have promised him that since

they caused the problem in the first place, they’ll try to clear up the subsequent

mess. On the other hand, maybe no one cares very much about Michael Wolff and

information wanting to be free – maybe once I take my copy of the page

down, it will disappear from the internet forever. That’s certainly what Wolff

is hoping will happen.

UPDATE: The page has magically

appeared at cryptome.org.

Posted in Culture | 9 Comments

Has Gawker jumped the shark?

Gawker jumped the shark today. I don’t

think it’s the fault of its two new editors, Matt Haber and Jessica Coen, both

of whom are talented and funny writers. Nor do I blame Lockhart Steele, the

new editorial director. No: this latest turn of events has Nick Denton written

all over it.

Nick certainly never intended Gawker to be the kind of site which hosts hard-core

pornographic videos. Here’s what he had

in mind before it launched:

Gawker is an online magazine for Manhattan launching in January 2003. It’s

target audience is the city’s media and financial elite. Think of it as the

New York Observer, crossed with Jim Romenesko’s MediaNews.

Gawker actually succeeded very well at that, and pretty soon nearly all of

Manhattan’s media (if not financial) elite were reading it.

Gawker’s success, in turn, helped generate buzz for more downmarket blogs in

the Gawker Media stable, like Defamer (Hollywood gossip) and Fleshbot (outright

porn).

By July of 2004, I was pointing

out that Gawker’s self-proclaimed readership of "600,000 media junkies

each month" was, on the face of it, higher than the total number of media

junkies in the known universe. That posting ended up with a wager between me

and Nick Denton: if Gawker managed to get itself more than 600,000 unique visitors

in any month of 2004, I would buy Nick lunch at Lever House.

The lesson of this story is don’t go into a bet with Nick Denton. I lost that

bet. The small reason was Tara Reid’s left nipple; the large reason was that

Gawker had given up on appealing only or even mainly to media junkies.

In early November, Ms Reid managed to let a breast out in public, Gawker covered

it, and traffic went through the roof. On November 8, Gawker got 110,000

visits, compared to 49,000 a week previously. Most of those visits were evidently

from people who hadn’t visited Gawker before: the site’s unique visitors jumped

to 833,000 in November from just 425,000 in October.

Denton was mildly apologetic when he called in the bet: he knew a nipple-induced

spike from genuine repeat readership. But in fact, although the number of unique

visitors to Gawker did fall back in the holiday month of December, it then continued

to rise, surpassing the 1 million mark for the first time in January.

But these weren’t media junkies – they were people looking for dirty

celebrity gossip, which had previously been the province of Defamer and Fleshbot.

When the contents of Paris Hilton’s mobile phone got posted on the web last

week, all of the Gawker Media sites covered the story extensively, but Gawker

itself took the lead. On February 22, at the height of the most recent Paris

Hilton frenzy, Gawker got 220,000 visits in one day – a new record. Aggregating

across all of Gawker Media, gloated

Denton, the total number of pageviews reached 1.8 million. 434,000 of those

were from his flagship site.

I don’t think I’m betraying any confidences when I say that Nick Denton likes

it when his sites get a lot of traffic. In Gawker’s mix of high and low, it’s

the low which drives the traffic; the high gets Denton a certain amount of respect

and lunch meetings. My guess is that Nick’s now had lunch with pretty much anybody

and everybody he wants to have had lunch with; his priority now is on goosing

his traffic numbers.

Hence the full-court press when it came to Paris

Hilton’s Sidekick. Gawker linked to the full address book the minute it

appeared on gorillamask.net: Denton’s site was one click away from a whole slew

of celebrities’ phone numbers and email addresses. Similarly, when a video appeared

today featuring Limp Bizkit frontman Fred Durst having very explicit sex with

an unidentified girl, Gawker was more than happy to link to that. Private phone

numbers, private sex videos – so long as you’re a celebrity, there’s nothing

that Gawker won’t link to.

The real shark-jumping, however, came later in the day, when Gawker decided

to host the video themselves. Anybody going to Gawker’s Fred

Durst Sex Tape page was immediately confronted with the full two-minute

video, and quite possibly put off their dinner for the rest of the day. The

irony is that the title of the page was "The Fred Durst Sex Tape You Never

Wanted" – well, if you went to that page, you got it whether you

wanted it or not.

Gawker Media has hosted pornographic material on its webservers for a long

time, of course, as part of its Fleshbot service. But this was video, not stills,

and Gawker, not Fleshbot. Now note that Gawker’s advertising

page still comes with glowing notices from the likes of the Guardian, the

New York Times and Time magazine. "Followers of Gawker include Michael

Gross of the New York Daily News, Howard Stern, Kurt Andersen of NPR, Jodi Kantor

of the New York Times, Deborah Schoeneman of New York Magazine, Ed Needham of

Rolling Stone, and Maer Roshan of Radar," it says; it’s my guess that most

of those people read Gawker much less than they used to, and that none of them

(with the possible exception of Howard Stern) think very much of the fact that

Gawker was hosting the Fred Durst sex tape.

Denton has always valued traffic over advertisers: he’s happy to lose advertisers

if they object to risqué content, because that content means more pageviews

and ultimately more advertising revenue. But if I were Denton, I’d be very worried

that CheapTickets, the launch sponsor of Denton’s new Gridskipper site, decided

to pull its sponsorship after just two days, because, in Nick’s

words, "our travel site was too naughty". Denton put a brave face

on it, releasing a statement saying that "Gridskipper will continue its

obsessive search for the planet’s hottest bods, with the occasional hotel recommendation

thrown in". But the loss of a launch sponsor after just two days looks,

to borrow from Lady Bracknell, more like carelessness than a misfortune. To

put it another way: Gawker Media’s rush downmarket, in what seems to be an increasingly

desperate attempt to maximise pageviews, is actually jeopardising the integrity

of its sites and of its editors.

Gawker, as I say, was never meant to be the kind of site which hosts porn videos.

And Choire Sicha, the flamoyantly gay former editorial director of Gawker Media,

was never the kind of person who would make cheap shots about lesbians –

you know, talk about how they wear Birkenstocks and "comfy" pants,

that kind of thing. Yet as I pointed

out on MemeFirst earlier today, that’s exactly what he’s been reduced to

doing, in his role as guest-editor of Wonkette, another Gawker Media site. Less

than 18 months ago, Choire was castigating those who perpetuated the rumour

that Condoleezza Rice might be gay; today, he has joined their ranks. Nothing

has changed, in the interim, in terms of public knowledge about Rice’s sexuality.

What has changed is Gawker Media’s attitude to such tidbits.

When Gawker was riding high in the buzz rankings, Denton would talk evangelically

about the way that his weblogs could target small and affluent audiences, and

get premium advertising revenue by doing so. That idea seems to have gone straight

out the window: by going downmarket, Denton might have lost a couple of high-end

advertisers, but that’s more than made up for by his increase in traffic. Gawker

started with buzz, now it’s swapped that buzz for profit. Maybe blog publishers

have to make a choice: they can have one or the other, but not both. Denton

is reputedly obsessed with collegehumor.com

– the ultimate high-profit-low-buzz website. But I can assure him that

the number of people who read both the New York Observer and collegehumor.com

is minuscule. If he’s selling a highbrow audience to his advertisers, he’s going

to have to stop the slide downmarket on his websites.

Maybe he realised that today: a couple of hours after the Fred Durst video

went up on Gawker, it got taken down. (OK, full disclosure: after I told Lockhart

Steele that I thought he’d jumped the shark, he took the video off the page.)

But so long as Denton encourages his bloggers to above everything maximise the

number of hits they get, this kind of thing is going to continue to appear.

In the short term, it certainly helps Gawker Media’s traffic. In the long term,

however, it could end up disproving Denton’s original idea, that a narrowly-targeted

website can attract premium advertisers by dint of its upmarket content and

readership. Jason Calacanis, take note!

UPDATE: This page has been getting a lot more attention since

Gawker was both sued

and served a C&D by

Durst. The Smoking Gun, along with the New York Daily

News and The

Register, says that Durst is seeking $80 million, but I can’t see that figure

anywhere in the documentation, and have no idea where it comes from. In the

suit itself and the letter sent to Gawker, Durst only seems to be asking that

they stop hosting the video. But as Gawker’s Jessica Coen points

out, "we complied before you even got around to wasting paper on us".

I do think that what Gawker did was probably illegal: they republished Durst’s

intellectual property without his permission. Durst’s lawyers list a number

of different statutes that Gawker has allegedly violated, and I’m sure that

they could win a court case were it to come to that. On the other hand, it might

be very difficult for them to show damages, so I’m far from convinced that they

could get a large sum of money out of Denton & Co.

Posted in Culture | 9 Comments

Departure

Watching eight sno-cats leave the base in convoy this morning was very impressive.

Eight fully loaded sno-cats, each towing a sledge piled high and a few passengers

inside, off to meet the ship 50 km away. The trip will probably take five or

six hours, except for the dozer that left at 4 am this morning, needing the

three hour head-start to even hope to arrive around the same time. That’s it

then, the boxes have gone, the bags have gone, all we have remaining now are

people.

The vehicles are due to return today or tomorrow and then repeat the journey

on Wednesday with the remainder of us. I wangled a few more days here in the

name of keeping an eye on special stow cargo and ice cores that will hopefully

be flown to the ship tomorrow, but everyone knows I’d do anything to stay an

extra minute here. I’m not sure what it’ll be like to leave, I have no choice,

which is probably a good thing, but it still hasn’t gone in. I am far too comfortable

here!

Looking back over this summer’s blogs (which I can now do!), I realise how

much I must take for granted. The things I haven’t mentioned stand out more

than anything. The arrival of the Canadian operated, huge Russian plane (DC-3

for those in the know) investigating potential opportunities for tourism in

the future, my jolly flight to Berkner Island, getting stranded there overnight

due to bad weather at Halley (what a shame), and with it the opportunity to

fly a twin otter over Antarctica. A trip to creek two caboose one last time,

and a night at beloved Wonky. A flight along the coast to remove some monitoring

equipment on the Lydden Ice Rise. Our Argentine neighbours visiting by chopper

again, and two more visits from the Germans after their initial arrival in November.

The light changing as the sun drops, and first sunset behind the CASLab. The

CASLab itself, loud and noisy, hissing, spitting, pumping, crammed to brimming

with machines that churn and fry, flow gases around the ceiling manifolds, flashing

lights indicating a fault on the gas detection system, inlets, exhausts, people

climbing over each other to reach their machines.

The CASLab empty and three full sledges of cargo – sixty-odd full size

gas cylinders, one ISO container and a hundred large boxes. The making redundant

of oneself. And still I want to stay.

The ship arrived last night. Every time there is a storm, the sea ice changes,

the cliffs change and the chance for getting our cargo out of here changes.

A few weeks ago it would have been totally unworkable. Last week it was almost

ideal, or as ideal as an N9 relief can be, today, it’s not good, but it’s not

terrible. There is a tongue of ice sticking out below the surface that prevents

the ship mooring up. I guess they’ll have to have one officer continually holding

the ship steady, using the thrusters, while the crane reaches across the tongue

to the cargo on the other side. I guess. One thing I have learnt here is that

there is almost always a way. Even to do the impossible.

So, I’m on my last few days. I’m packed, I’m as ready as I’ll ever be. I want

to stay.

Posted in Uncategorized | 18 Comments

The Gates

Anyone who has moved from Europe to New York knows that one of the most dazzling

things about this city, quite literally, is the winter sun. We Europeans are

used to drab, gray winters, where the few hours of purported sunlight are invariably

overcast and usually drizzly as well. In New York, you wear sunglasses in the

freezing cold, something Europeans only normally do when they go skiing.

It’s only natural, then, that Christo and Jeanne-Claude, both Europeans in

New York, would want to create for New York an artwork which captures the sunlight.

The way they did that was by taking their trademark fabric and making it free-flowing,

rather than wrapped around or on top of something. If a Gate is in the sun and

you look at it from a northerly angle, the sun sets it alight; if you look at

a whole pathway of Gates from the north, it is transformed into a river of fire

and light.

Jake Dobkin has taken some of my favourite photos

of the Gates; here you can see in one photo just part of the range of colours

and textures that the Gates form in concert with the New York winter sun.

The Gates isn’t just about colours and textures, however. It’s an aural piece,

too: every time the wind blows through a Gate, the fabric rustles and snaps,

and you’re reminded afresh of how these totems, so magnificent to look at, are

also a very impressive physical accomplishment. The numbers are so big as to

be meaningless, so I shan’t bother you with the familiar litany; I’ll restrict

myself just to mentioning that there are over 7,500 of these things, any one

of which on its own would be a Central Park landmark in its own right.

Most of all, the Gates are not something to be gazed at, or listened to: they’re

something to be walked through. This is ambulatory art: anybody buying one of

the special Gates packages at the various hotels overlooking Central Park is

likely to be disappointed. Staring at the things through binoculars is no substitution

from reaching up and touching them yourself; what’s more, as one look at any

of the aerial photographs will show, this particular work of art is no more

suited to being seen from above than is a Picasso.

Christo has been saying that the Gates aren’t something to be talked about,

and that if you want your questions answered, you should just walk the 23 miles

of Gated pathways. In fact, although that would be an interesting exercise,

it would also be unnecessarily constraining. The Gates are great to walk under,

to be sure. But they’re also great to view from a distance, to walk away from,

to see out of the corner of your eye from a part of the park which has relatively

few of them – the Ramble, perhaps.

In fact, one of the most surprising parts of my visit to Central Park today

was when I wound up walking through the zoo, and briefly found myself in one

of the few parts of the park where no Gates were visible at all. Suddenly I

felt very sad: the Gates had really brightened me up, and their unexpected disappearance,

even if it was temporary, hit me quite hard. I have a feeling that when the

Gates come down forever in a couple of weeks’ time, New Yorkers will mourn their

departure.

Christo, of course, knows all about temporary art projects – he specialises

in them. Ane he also specialises in their politics. I have a feeling that one

of the reasons why he is encouraging the public to walk along the Gated pathways

is not because that’s the "best" way to view the art, but because

he knows that one of the ex ante criticisms of the Gates – that

the crowds would damage the park – might turn out to be justified. Even

after only 24 hours, the grass to the side of many of the pathways has been

turned into large patches of mud, as people walk off the paths to get the perfect

camera angle, or just to walk around the slow-moving crowds. The park is heaving

with people, which is great for Christo, and makes for a very festive atmosphere,

but which might not be so good for the turf.

In fact, the general mood in Central Park these days is like nothing so much

as that of Ueno Park, Tokyo, during the Cherry Blossom festival. Everywhere

you look are the wondrous splashes of colour which visitors come to see from

miles around; the commercial side to it is large-scale but tastefully done,

and the crowds are heavy but not oppressive.

Interestingly, the crowds are also very monochromatic. New York City is a wonderfully

multicultural city, but the Gates crowds are nearly all white. Art tourists

will come from all around the world to see this piece, but I do worry that New

York’s black population, much of which lives very close to Central Park, has

yet to get as enthused by this piece as the rest of us have. I can’t think of

a single friend of mine in New York who won’t go to see the Gates;

yet the total number of visitors, I have a feeling, is going to end up a mere

fraction of the total population of New York City. (My guess? Somewhere in the

2 million range, and that includes double-counting of people who go more than

once. New York’s population is 8 million.)

Still, there is no doubt that this is public art on an enormous scale, and

which has proved incredibly popular. Jason Kottke

says that "it will probably be the most photographed event ever;"

I don’t know if that’s true, but there were certainly thousands of photographic

devices in Central Park today, including one fellow drawing a crowd with his

enormous 11×14 large-format bellows camera. No Chicago-style

small-mindedness here: these Gates are for everybody, and most people who go

to see them are likely to want their own memento of having been there in person.

This is art to live in the memory for decades to come. As Michael Kimmelman

concluded his review

this morning, "Once upon a time there were The Gates. The time is now."

So, are the Gates good art? Are they even, maybe, great? That’s a hard question,

and I’m reserving judgment; I’ll go back again, for sure, and make up my mind

slowly. Here’s another photo from Jake, which gives an idea of some of their

formal qualities: looked at from the middle distance, as they march and flutter

in unison, they seem monumental in a slightly dated, 1970s sense, a work of

art which wouldn’t be out of place at Storm

King.

On the other hand, 1970s monumentalism rarely came up with anything as subtle

and beautiful as this. And, more to the point, it never made hundreds of thousands

of people incredibly happy. Maybe art is too limiting a box to put this kind

of public event into: it’s already been compared, in terms of its audience,

to things like the St Patrick’s Day parade. There’s no doubt that the Gates

are great for New York, and great for New Yorkers. Whether they’re great Art,

too, is almost beside the point.

Posted in Culture | 6 Comments

Apples

If there’s one overriding reason why Steve Jobs has been a huge success at

Apple, it’s that he has managed to demolish the old truism that Apple =Mac.

Nowadays, in the eyes of the general public, Apple is much more associated with

iPods and iTunes than it is with Macs; indeed, Apple’s own iMac

marketing campaign is essentially attempting to leverage the iPod brand to increase

Mac sales.

The mass success of the iPod and iTunes owes everything to the fact that they

are Windows-compatible. In the world of computers, on the other hand, Apple

was until recently very much a control-freak company. Unless you got a super-high-end

tower system, if you wanted an Apple computer then you got Apple everything:

computer, keyboard, screen, mouse, software, the lot. Now, however, with the

Mac mini, all that has changed.

"Bring Your Own Display, Keyboard, and Mouse", says Apple: we don’t

care if they’re ancient, ugly things, what really matters is the operating

system under the hood.

Which is why the report

today that Steve Jobs has been approached by three PC manufacturers about letting

them run OS X is so intriguing. Here’s the juicy tidbit:

Most tantalizing of all is scuttlebutt that three of the biggest PC makers

are wooing Jobs to let them license OS X and adapt it to computers built around

standard Intel chips. Why? They want to offer customers, many of whom are

sick of the security problems that go with Windows and tired of waiting for

Longhorn, an alternative.

As Pete Rojas notes,

we can assume that one of those PC makers is Sony; what we can’t assume is that

Jobs is going to say yes. But he should. Apple is still languishing

in tenth place on the list of the biggest PC manufacturers, which is pretty

weak since Apple sells 100% of all the computers running OS X, which is probably

the best consumer operating system in the world.

While Apple has always been very good at designing computers, and it certainly

seems to have mastered the art of designing operating systems, it’s never been

very good at selling computers. Apple’s market share has been wallowing in the

3% range for as long as I can remember, and although a lot of people say that

the success of the iPod means that many more Macs will be sold in future, so

far those predictions have yet to come true.

Jobs is clearly happy with people running OS X while using ugly keyboards and

monitors: that’s the whole raison d’etre of the Mac mini. So why not let them

run it while using an ugly computer as well? I have no doubt that Michael Dell,

were he so inclined, could double the market share of OS X more or less overnight.

In turn, that would mean more developers writing software for OS X, as well

as the ability, for the first time ever, to make a like-for-like comparison

when it comes to the perennial question of how much more expensive an OS X machine

is when compared to a Windows box. You could have exactly the same monitor,

keyboard, box, processor, and everything: only the operating system would be

different. No longer could people say that they were buying a Windows machine

only because they couldn’t afford the Apple one.

Those of us who remember Apple from pre-iPod days also remember the clones:

computers by companies you’d never heard of, running Mac OS on the same crappy

old Motorola chips that Apple was putting in its own computers. It was an experiment

by Apple which didn’t really work, and it was born out of desperation on the

part of Apple. This time around, however, things have changed. It’s the big

PC makers who are approaching Apple, and they, one assumes, are willing to pay

whatever it costs to rebuild OS X for Intel chips. No longer would Apple be

at the mercy of Motorola or IBM, waiting months for promised processors to be

delivered. If OS X ran on Intel chips, you would have something of a dream combination:

a super-reliable operating system running on chips from the most reliable PC

chip manufacturer.

Apple would lose some of its own hardware sales to competitors, of course –

but it could make up for that by pricing OS X accordingly. More mouthwateringly,

Apple would finally have a choice of chip manufacturers, for the first time

ever. Rather than simply having to accept whatever IBM gives it, Apple would

be able to start putting Intel chips in its own computers if they were faster

or cheaper than Big Blue’s. Indeed, if OS X was rewritten to run on Intels,

it would probably run on chips from other companies too, creating real competition

in the market to supply Apple with chips. Whenever there’s competition, the

consumer benefits.

All this is much easier said than done, however, I’m sure. Huge questions remain

unanswered: would all OS X applications have to be rewritten for the Intels,

or would rewriting the operating system be enough? What would happen to Apple’s

reputation if the new machines turned out to have all manner of bugs and glitches,

even if those bugs and glitches were the fault of the manufacturer and not the

operating system? And if Apple’s own hardware sales fell significantly from

their present low levels, could the company still afford to spend all that money

on hardware design? In other words, could this move mark the beginning of the

end of Apple as a computer manufacturer?

It hasn’t happened yet, of course, and frankly I’d be surprised if it ever

did. But it’s certainly an idea well worthy of consideration, and I, for one,

would love to see a Sony computer running OS X.

Posted in Culture | 10 Comments

Penguin Soup and Dozer Wars

Well, the title says it all really. The cute fluffy penguins are all dead

now and Halley has been transformed back into a construction site full of boys

and their tonker toys. And it’s still a great place to be. Forget the magic,

the mystery, the endless conversations with the stars, no, don’t forget them,

but they are the things of dreams and memories. Today we are back in continual

sunlight, bright, harsh and true. The light is still magnificent and becoming

more entrancing every day as the sun drops lower, the fogs have started returning

that obscure building legs and call icebergs up from beyond the horizon. Fairy

dust has been seen, and so have ‘barchans’, crescent shaped dunes of snow deposited

as blowing snow crosses the surface. Against my intuition, the outside edges

travel at the front. Skiing was slippery a few weeks ago but has now become

delightful, especially compared to sinking with every footstep that is the alternative.

Kiting has taken off, so many folk flying past the window strapped to snowboards

or skis, jumping, falling, laughing with the wind. Yes, it is still a magical

place to be. But the penguin chicks are dead and our dozers played tug-of-war

today.

There’s all sorts of things to report, it’s been a great summer so far. And

busy. Busy for us at the lab, more instruments arriving and a final push to

have a ‘summer intensive campaign’ that will produce data to justify our year

down here and the five years it’s taken to plan it. Plus, CODIS is moving in

and the impact might be similar to the years when dogs left or women arrived.

Everyone here knows what CODIS means, but no-one knows what it stands for. It

means internet, it means cheap phone calls around the world, free email with

unlimited attachments, privacy from BAS and more personal websites, news at

our fingertips and on-line shopping. Independence. Or another step away from

isolation? Who knows.

I went inside the big white sphere where the satellite sits the other day

and it really is impressive. It’s a big white ball that’s empty but for a huge

satellite dish and a locked box with electronics inside. So I guess, in your

world, it might not be that impressive at all. The thing that impressed me most

however, was the angle it pointed at. And the cool echoes it gave off when you

shouted into it. To all intents and purposes, it was pointing horizontally,

not up at the sky as you might imagine. To be precise, it sits at an angle of

5 degrees from horizontal. And that gives line-of-sight contact with a satellite

thousands of miles above the equator. Once again, a moment of thought to realise

quite how far south we really are.

Ok, ok, the penguins. It was cruel of me I know, shows how hardened I must

have become this year. Cruel but funny. And true. The penguin chicks are all

dead, those that hadn’t changed fluff to feather by about a fortnight ago. All

the sea ice at Windy Bay has gone. And I mean all of it. Right back to that

cliff that we climbed down to reach them. All that ice, that at one point stretched

beyond the horizon and doubled the size of this continent, all gone. I’m not

sure which I miss more, the ice or the penguins but I think it’s the ice. I

do feel for the penguins though, it was a particularly windy winter and then

such a warm summer. I don’t think the ice usually dissappears this early. In

fact, I know it doesn’t. It’s my third summer down here and in some ways that

means I know more than many but in others it means I am realising just how little

you can make wild sweeping comments about this place. Summer zero, so much ice

that the ship never even made it in. Summer one, not much ice at the beginning

of the season and none at the end. Summer two, a thirteen kilometre relief at

the start of season and a good few ks at the end too. Summer three, well, it

looks like a warm one again.

The lack of ice has implications. It means that any penguins that couldn’t

swim will have drowned. And as far as I’m aware, they don’t have the ability

or knowledge of how to swim as long as they wear fluff. I guess they don’t need

it. More selfishly, it also means that sno-cat after sno-cat won’t be able to

carry cargo down to the ship at the end of the season. And I have about 8 tonnes

of cargo that, in an ideal world, I would like to see on that ship when I leave.

If push came to shove, I guess we could get it down to 5 tonnes of ‘essential’

stuff. And if we can’t put it on a sledge behind a sno-cat, most of it could

be broken into smaller units that we could handball individually. Could take

a while though! First, though, I guess we should focus on getting some science

out of this kit.

Another very cool thing about this summer is the arrival of representatives

from the three companies competing

to design Halley VI. They’re here for a fortnight, along with the co-ordinator

of the competition, and seem to want to know everything about this place. They’ve

shown us their plans and in return want to know what is and isn’t viable, what

our grumbles are, what we love about this place, whether melt-tank is as bad

as it sounds and if we really need as much space as everyone bid for.

They have a budget of £19 million and all say it’s going to be tight.

Corners must be cut, glitz lost, to fit within that budget. So today, they had

a tug of war between two bulldozers. How much can a dozer really pull? How wide

could that ramp be? How much weight can the sea ice take? How reliable is the

relief operation? The winner will be decided at the end of this year and then

they’ll have a year to finalise and commission their plans, two summers to supply

and build the new site and one summer to move the science across before handover

to BAS in 2009–10.

It’s a ridiculously tight timescale on a fairly restrictive budget but these

boys are keen and it’s great to watch the zeal with which they attack each new

day. They’ve had, or will have, a day or two each with the science platforms,

the plumber (tunnels), electrician (fire), garage (vehicles), field assistants

(relief and logistics), steel team (legs) and chef. They ask about personal

space, work space, colour schemes, hydroponics, buildings that walk, auroras,

bar games and boot rooms. One told me recently that he thought the new environment

would attract more women and improve the gender ratio but I said it wasn’t really

a problem. In fact, I was quite surprised when he said he found it a very male-dominated

environment. I don’t. Shows how long I’ve been here. That, and the fact that

I enjoyed watching bulldozers playing tug-o-war this evening on tv and was seriously

interested in the loads they could pull. I’ve come a long way, and I’ve got

to go back a long way too before I’m half the girl I ever used to be.

Posted in Rhian in Antarctica | 13 Comments

Hirst’s shark

The Shark is coming to New York. According to the Telegraph and the Evening

Standard, Larry Gagosian has finally succeeded in brokering the deal we

first heard about back in December. Charles Saatchi will sell The Physical

Impossibility of Death in the Mind of Someone Living to an unnamed US collector,

who will promptly donate it to the Museum of Modern Art. The price? Somewhere

in the neighborhood of $12 million – as the Telegraph points out, that’s

higher than any living artist, including Jasper Johns, has ever received at

auction. If there was any doubt as to Damien Hirst’s art-market status, it has

now surely been erased.

The Shark, as the piece is universally known, is probably the single most important

work in Hirst’s oeuvre. I remember making the trek out to St John’s

Wood in 1992 to see it in the Saatchi Gallery shortly after it had been made:

an instant icon, it more or less became the defining art work not only in Hirst’s

career, but also in those of Jay Jopling, his dealer, and Charles Saatchi, the

man who bought it for what seemed at the time the pretty steep price of £50,000.

It was a magnificent work of art – and I’m choosing my verb tenses carefully

here. While death has been a common theme in art for as long as art has been

made, Hirst was pretty much the first to bring it literally into the gallery.

The Shark was placed next to A Thousand Years, his powerful –

and smelly – meditation on life, death and decay, where flies were hatched

inside one of Hirst’s trademark vitrines, only to migrate over a glass partition

towards a rotting cow’s head, and get electrocuted on the way by a bug zapper.

Meanwhile, the shark was suspended in formaldehyde, sleek, deadly, and –

of course – dead. It didn’t look dead, though: it looked as though it

was alive, suspended somehow not only in space but in time, the subject, perhaps,

of a sorcerer’s spell which could bring it back to life at any moment. Walking

around it, staring at it staring at you, you felt an undeniable frisson of real

physical danger. The Shark delivered an atavistic shock, catapulting the viewer

back to our Darwinian past even as we stood admiring its artistry. Much great

art works by setting up an ironic tension between the art and the object: are

you looking at brush strokes, or are you looking at what they represent? Are

you reading a word, or are you looking at a Ruscha painting? In this case, the

distance between the shark and The Shark was both greater and smaller than the

art world had hitherto seen. The shark was the art, of course; but

the art also consisted in the primal reaction to it – a reaction over

which any human had almost no control.

After the show at the Saatchi gallery, or perhaps during it, Hirst became an

art-world megastar, and he soon started being shown in proper museums. But there

was a big problem: his neoconceptual pieces, it turned out, didn’t age well.

When Sensation, the Saatchi show including Hirst, Whiteread, Ofili

and others, went on the road, A Thousand Years had been emasculated.

While dead flies still littered the bottom of the vitrine, the cow’s head had

been replaced by a plastic simulacrum, and the life cycle so unblinkingly displayed

became something you had to imagine, not something you could watch for yourself.

No longer could you go back week after week and see the cow’s head get smaller

and smellier; no longer could you see the pile of dead flies get larger and

blacker; no longer could you hear the sound of flies getting zapped

as they made their way towards the rotting flesh. The art work now stood as

little more than a record of its own prior existence, a clever idea, perhaps,

but not nearly as visceral as it had been originally.

Meanwhile, the shark was – is – falling apart. The sleek creature

of 1992, seemingly captured mid-swim, has started to decompose. Its flesh is

rotting, falling off its body; its skin is wrinkled; its scales litter the bottom

of the vitrine. Evidently, Hirst’s early experiment in preservation in formaldehyde

has proved a less than stellar success. The work is still historically important,

but when it’s shown at MoMA, the millions of gallery-goers will see something

very far removed from what Hirst originally intended and created. As Greg Allen

wrote

about Dan Flavin, "such is the strange afterlife of work that produces

beauty from the banal, an object lesson in how the legacy of a strong-willed

radical can be brought to heel by an even stronger force, the market."

In an ideal world, MoMA, or Hirst, or someone, would restore, or recreate if

necessary, the shark to its original condition. But the Gods of the Market seem

to have determined that authenticity trumps art every time – a determination

which will only serve to prevent the true nature of Hirst’s work being seen

by visitors to MoMA, and which will surely increase misunderstanding about what

Hirst is really about. After all, a saggy shark in a vitrine is not sleek or

deadly at all: you might even say it’s a different kettle of fish entirely.

Posted in Culture | 9 Comments

Sweden and theWashington Consensus

Both Paul O’Mahoney

and Stefan

Geens link to a piece

by Daniel Brook in Dissent magazine entitled "How Sweden Tweaked the Washington

Consensus". It’s mainly interesting, I think, for confirming Stefan’s prejudice

about leftists and their degree of understanding of economics. Here’s the nut

of the article:

Today the Swedish system is being challenged by a number of economic tendencies

and forces commonly understood under the rubric of "globalization."

… According to this thinking, countries must embrace the "Washington

consensus," the International Monetary Fund-backed policies of free trade,

privatization, and lower taxes and public spending, in order to keep up with

lean, mean developed countries such as the United States and rapidly growing

economies such as China’s.

Although Sweden has modified its economic arrangements, it has kept many features

intact in defiance of the Washington consensus. More than half of GDP goes

to the government as taxes (versus one-third in the United States). The extremely

high level of taxation in Sweden funds a large public sector and an ambitious

redistributive program.

The rest of the article is essentially variations on the theme: The Washington

Consensus and the IMF would prescribe lower taxes for Sweden, but the country

has kept them high and is still doing very well, thank you.

Unfortunately, despite putting the Washington Consensus right there in his

headline, Brook seems not to have bothered to look

it up. A few points are worth making.

Firstly, the Washington Consensus was always meant to be a set of prescriptions

for developing, not developed, nations. While all countries might well benefit

from adopting its strictures, developing ones would benefit more. At the heart

of the Washington Consensus is fiscal discipline – this is especially

important for developing countries which can’t borrow at long durations in their

domestic currencies. The result is that they load up on dollar debt, leaving

themselves open to a classic asset-liability mismatch which can go disastrously

wrong. (See Russia and Argentina.)

Secondly, nowhere in the Washington Consensus does it say that public spending

should fall. In fact, given that the Washington Consensus was aimed at developing

countries, it’s almost taken for granted that public spending should rise: such

countries are generally desperately in need of the social and physical infrastructure

(schools, roads, electricity, etc) that is really the role of the state to provide.

In fact, far from asking for "lower taxes and public spending", the

IMF and the adherents of the Washington Consensus generally ask for higher

taxes and public spending. Maybe not an increase to Swedish levels, perhaps,

but a country like Mexico, which collects just 14% of GDP in taxes, is constantly

urged to bring that number substantially higher. There are certainly occasions

where the IMF might target individual taxes which they consider to be invidious

and deleterious to growth prospects – the financial transactions tax in

Brazil is one example. But I would very much doubt that the IMF has ever recommended

that any country seek to decrease the total amount of money that it raises in

tax revenue – quite the contrary.

To be sure, one of the points of the Washington Consensus is tax reform. But

tax reform in the context of development economics (which is what we’re talking

about here) does not mean the same thing as tax reform in the Grover

Norquist sense of the phrase. When a development economist asks for tax

reform, she’s generally asking for:

  • More transparency and less complexity in the tax code;
  • An end to unfair tax burdens on certain individuals or businesses; and
  • A broadening of the tax base, so that as many people pay taxes as possible.

The problem is that when you want to raise taxes, it’s much easier to simply

go along to the state-owned oil company, say, or to a handful of rich businessmen,

and tax them as much as possible, than it is to set up a transparent nationwide

tax-collection system where everybody pays their own fair share. So incentives

are distorted, tax collection remains low, and tax avoidance becomes epidemic.

(See, um, Russia and Argentina.)

Where the Washington Consensus calls for lower marginal tax rates, it really

does not have Sweden in mind. The point is to target tax regimes where the tax

system results in people spending more effort on trying to avoid taxes than

they do on work which actually benefits the economy as a whole. So long as tax

avoidance is not a problem in Sweden, I doubt the IMF much cares what the highest

marginal tax rate is.

It’s worth bearing in mind that the Washington Consensus was developed as one

tool to help bring billions of people out of poverty. Whether it worked or not

can be (and is) debated ad nauseam. But the people who developed it –

chiefly John Williamson, who is nobody’s idea of a right-wing supply-sider –

were trying to help build countries where the benefits of maximised economic

growth were felt by the poor. The "government is bad and the less of it

the better" rhetoric of US conservatives is nowhere to be seen in the Washington

Consensus or in any IMF reports that I’ve seen.

I’m looking forward to the day when left-wingers learn to distinguish between

neoliberalism and US-style tax-cutting conservatism. But judging by this article,

that day is still a long way off.

Posted in Finance | 6 Comments

Normality

I’m writing to you on a Sunday afternoon, the rugby on, fairly loud, in the

background. South Africa v Ireland: surprisingly up-to-date by Halley standards

as the game was only played about 2 months ago. It must be summer. This morning

there was yet more post waiting for us on the table ‘though no plane had come

in- the pilot just discovered another mailbag in the back of the plane last

night! New summer residents are outside enjoying the now calmed-down storm.

Bones has his video camera out and is taking footage of newly formed wind-tails,

Piglet has gone out kiting with an ever increasing number of recruits. Boards,

kites and harnesses are being bartered for over the Sunday fry-up. Next door,

in the dining room, those still recovering from last nights revelries are watching

the 24 series back-to-back. The rest of the CAS Lab team have gone to the lab

to work on their machines and check for damage after yesterdays storm. I’m on

my fourth cup of tea and have no intention of leaving the Laws platform today,

at least not for long. A fairly normal Sunday.

Yesterday afternoon, as I was helping peel spuds in the kitchen, Kev asked

me if I was looking forward to going home. It was tricky to answer honestly

as I’m obviously looking forward to seeing people and I’m not psyching myself

for the coming winter here so yes, I guess I am. At the same time, I’m very

comfortable here, very happy, the lifestyle suits me and I feel very much at

home. Flying back from the skiway last week on the back of a skidoo driven by

Ness, having received the first load of ice cores from Berkner Island, my only

regret was that this lifestyle isn’t possible under more sociable circumstances.

Perhaps I should move to Alaska.

Last weekend was New Year’s Eve and our first weekend after Relief. It was

a good party but the male:female ratio was still a bit too weighted against

me despite the arrival of eight more women with the ship, so I slipped out early.

The next day we went to see the penguins en masse, 17 people in our group and

about 27 the following day.

It’ll have been my last trip to Windy I should think but I feel like I’ve seen

the complete cycle now. Our first trip in August was extraordinarily cold, the

penguins huddled to stay warm protecting eggs and tiny chicks on their feet.

The intermediary visits were more tolerable in temperature and the pengus still

stayed in loose groups as the chicks grew up and became a bit more inquisitive.

The last two visits have shown the end of the cycle – chicks spread out,

fat and moulting, cooling their bellies on the snow as it’s now too hot in the

sun. The landscape is completely changed now as well – the sea ice has

melted and broken up, open water is only about a mile from the cliffs. Birds

fly around overhead, skuas hunting for weak chicks and storm petrels looking

for nesting sites. The ice itself is lumpy, brown and covered in melt water

puddles, entirely formed by the presence and residue of thousands of penguins.

Little penguin motorways now run between the very rutted ice and the birds walk

single file as nowhere is it smooth enough for belly sliding anymore. While

newcomers were amazed by their numbers, I found it almost sad to see how many

fewer penguins there are now. But the ice won’t be around for much longer so

if they’re going to survive, they’d better learn to swim pretty soon!

What I really missed was the welcoming party, those adolescents, a year or

two old but still too young to breed, who used to come right up to us during

our visits. They’re all off playing in the ocean now, feeding themselves up

for the next winter. All that is left are fat moulting chicks and a few adults

keeping an eye on the crèche. None of them are particularly interested

in us and the little ones are visibly disturbed if humans get too close. It’s

more as you would expect I guess.

Here on base, the season has been going very well. Relief was smooth and quick

and the weather, until recently, has been superb. On Friday a storm arrived

that has almost died down now. A few days of 20-40 knot winds is a good experience

for the new folk though and not setting us back too much this early in the season.

The CAS Lab is noticeably less stressful than last year, a combination of Stéph

and I having more of a clue what’s going on and there being four others out

there to help the campaign, all of whom are experienced and keen.

I’ve seen the full cycle of penguins and am now also experiencing the full

cycle of living here: the new summerer, entranced by the magic of the ice, the

new winterer, nervous but excited by the prospect, the winterer, at home in

the dark and cold, and now the more experienced summerer, fully at home and

loving this place for everything it is. Able to stay in on a Sunday and enjoy

rugby and tea as much as skiing around the perimeter. At the end of February

I’ll get on a big red ship and sail to the Falklands. After that I’ll travel

and meet up with a few friends before returning to Blighty and slotting back

into the world of work and green in Cambridge. After that, who knows.

Posted in Rhian in Antarctica | 5 Comments

Jason Calacanis stands up to bullies

Jeff Jarvis says

that Jason Calacanis is "the single most competitive person I’ve ever met,"

and quotes an email from him claiming "3-4x the traffic of gizmodo"

for his rival gadget blog, engadget.

(According to Alexa,

engadget’s pageviews are just under 30 million per day, while gizmodo’s are

just over 16 million. The numbers might be wrong, but the relative

numbers are probably pretty solid.) Even an exclusive interview

with Bill Gates, it seems, can’t persuade Calacanis to give his rival Nick Denton

any props.

At least Jason Calacanis vs Nick Denton makes conceptual sense. Now, however,

let me present to you… Jason Calacanis vs Steve Jobs! That’s right, in his

latest blog entry, Calacanis menaces Jobs with the threat

that he might stop publishing tuaw.com. "We

need each other Steve," writes Calacanis, "and you trying to bully

us is just unfair and, frankly, pretty ungrateful." Naturally, Jobs is

not in any way trying to bully Calacanis or The Unofficial Apple Weblog: Calacanis

is using the first person plural here to refer to journalists in general, and

"Nick de Plume" of ThinkSecret

specifically – the publisher Apple is suing.

Referring back

to Alexa, ThinkSecret gets about 2.7 million pageviews per day, while tuaw.com

gets, well, nothing, really. Still, the two sites are competitors, and in that

respect I’m sure that Nick de Plume would be more than happy for Calacanis to

pull his Apple blog. And I’m equally sure that Steve Jobs couldn’t care less

whether Calacanis writes about him or not. But Calacanis isn’t done yet: "you

need to learn to play nice in the sandbox or we’re going to go home, and

I can tell you it’s no fun playing alone," he tells Jobs, apparently

in the belief that if he stops writing about Apple, then so will everybody

else.

Reading this latest post reminded me of the Calacanis

classic from August, wherein our hero faces down two enormous black men

in a gas station forecourt:

I’m five-nine on a good day, and these guys were both well over six

feet. One looked like he just stepped out a gym and the other looked like

he could have been in the WWF he was so—well—large.

I assessed the situation quickly. First I noticed the size of the first guys

neck.—it was big, and was my best shot of taking him out. One punch

to his throat would probably kill him. The other guy, well, he was pretty

round and there was no neck to punch. I’d have to find another target—perhaps

his knees. They couldn’t be very strong since he was carrying all that

extra weight around. One low side kick and that knee would snap like a dry

twig—he wouldn’t be getting up.

This assessment took about two seconds—it’s what I’ve been

trained to do all my life. First by my father and then by the masters of the

ancient art, and I put my odds at about 90% given that they might have a gun.

I’ll save you the suspense: it turns out the two enormous black men are travelling

with their mother, and she ends up saving our Brooklyn hero (who also does a

mean southern accent, we’re told) from having to play those odds. Calacanis

then feels "one the greatest senses of serenity in my life".

I’ll say this for Calacanis: his pathological self-importance can certainly

be entertaining. Needless to say, however, a spokesman for the journalistic

community in general he is not, even if Apple suing ThinkSecret really isn’t

a very nice thing to do.

While I’m on the subject of blogs, by the way, I should also admit here that

I was wrong about Gawker

back in July. "Gawker has never had more than 600,000 unique visitors in

any given month," I wrote then, "and at present rates, it looks as

though it could be a very long time until it does." In fact, it only took

until November: in each of the past two months, Gawker has broken

the 600,000 barrier, and it will

do so again in January. Jessica Coen and Matt Haber might not have the buzz

of Elizabeth Spiers and Choire Sicha, but they have many more readers than those

predecessors did. It’ll be interesting to see whether Lockhart Steele, in his

new

job, can help get Gawker’s numbers higher still.

Posted in Media | 14 Comments

232 Broome Street

I just got off the phone with a friend of mine. "You know everything,

Felix," she said, perspicaciously. "Instead of buying a loft, would

it be cheaper to buy a loft building and then convert it into lofts?"

The answer, like the answer to any question, is "it depends". Certainly,

some developers do seem to have made

out very well that way. But let’s consider a specific building on the Lower

East Side of New York. Lofts around here are rare beasts, but look at the sale

prices at 7 Essex: none of them seem to exceed $700 per square foot. Let’s

be generous, and say that in the wake of recent trend-seeking

developments, the going rate for LES lofts is now $800 per square foot.

And

let’s say you’re interested in this good, solid loft building, constructed in

1920, on the north-west corner of Essex and Broome. The building is 37 feet

wide by 81 feet long, which means that it has just under 3000 square feet of

gross external square feet per floor.

Let’s put the ground floor and basement – the 3,600 square feet of retail

space – to one side for the time being. There are then three floors for

apartments. A standard real-estate rule of thumb states that to work out what

the gross internal square footage of an apartment is (excluding things like

the stairwells and the width of the walls), you take 85% of the gross external

square footage. If you decided to build floor-through apartments, that would

give you three apartments at about 2,550 square feet each. At $800 per square

foot, that would value each apartment, when fully converted and kitted out,

at about $2 million.

Now, it’s worth noting that no apartment has ever sold for anything like that

amount of money on the Lower East Side, let alone below Delancey Street. But

let’s be generous and say that if you converted this building into swanky residential

lofts, you could get $6 million for them. Then there’s the retail space –

let’s add on another $2 million for that. (I have no idea who might spend $2

million for retail space on Essex Street, but there’s gotta be a sucker out

there somewhere, right?) Total, once all the work is done: $8 million. So if

you bought the building for $5 million, say, and spent another $1 million doing

it up, you might stand to make some money by selling it off as lofts.

Then again, maybe you’re the Eisner Brothers, owners not only of the eponymous

sporting-goods store presently on the ground floor, but also of the entire building.

It turns out that they bought the building from the City of New York in 1985

for $330,000. (Here‘s a PDF of the sale document.) Buying

for $330,000 and selling for $5 million after 20 years? A tidy profit right

there, in anybody’s book.

Maybe the Eisners want more, however. Should they perhaps do the loft conversion

themselves? No – they should rather find someone willing to spend even

more than $5 million on this building. And the way they can do that is by using

a wonderfully recondite number known as Floor Area Ratio, or FAR.

The Eisners’ building, it turns out, is on a lot which measures 51 feet wide

by 96 feet long, or closer to 5,000 square feet. You can take that total square

footage and multiply it by the lot’s FAR to find the total square footage allowed

for a building on that lot – and since the FAR for the lot is 6.0, if

you tore this building down and put a new one in its place, you’d be allowed

to construct just shy of 30,000 total square feet on the lot. (At 3,000 square

feet per floor – ie, if you didn’t increase the size of the present building

at street level – that would mean a nine-story building, plus basement.)

This is where my expertise runs out. I have absolutely no idea how much it

would cost to demolish the present structure and put up a new one, and I also

don’t know how feasible it might be to try to add some kind of residential tower

on top of the building which is currently there. All I know is that if you go

to weichert.com, you can find this building on

sale for the eye-popping price of $25 million – or about $2,450 per

usable above-ground square foot. And that’s before it’s converted into

anything.

What kind of return does that give the Eisner brothers, you ask? Well, if you

buy at $330,000 and sell at $25 million after 20 years, you’re making more than

24% per annum annualised – and that’s before getting a penny in rent or

store profits. Even by New York standards, it seems that the Eisner Brothers

made themselves an astonishingly good investment back in 1985. In comparison,

$330,000 invested in the S&P 500 on August 14, 1985 would be worth just

over $2.1 million today, again disregarding income. Looks like Lower East Side

property is ten times better, as an investment, than the stock market!

Then again, I can’t imagine who would be interested in buying the building

for anywhere near $25 million. Let’s say demolition and construction costs are

zero, and you build the maximum allowable 29,376 gross exterior square feet.

Conveniently enough, that translates into, realistically speaking, an absolute

maximum of 25,000 usable interior square feet. So anybody buying for $25 million

would be spending exactly $1,000 per hypothetical square foot, before spending

a single penny on actually building those apartments.

Back when there was a bubble in oil exploration companies in the 1970s, it

used to be said that oil was worth more in the ground than it was in the barrel:

a hypothetical unextracted barrel of oil which might not even exist was valued

by the stock market more highly than an actual traded barrel of oil today. The

same thing seems to be going on here: unbuilt apartments are being sold for

more than real, built ones. Looks like the days of converting Manhattan loft

buildings and making a fortune are, unfortunately, far in the past.

Posted in Finance | 27 Comments

Tax deductions: Your questions answered

George W Bush would never raise taxes, oh no. But according to a trial balloon

being floated today in the New

York Times and a few weeks ago in the LA

Times, he might eliminate tax deductions, especially those which

overwhelmingly benefit those notoriously blue states New York and California.

The federal deduction for state and local taxes, we’re told, is alone worth

$46 billion a year.

Despite having an extra three weeks to write the story, the New York Times

piece, by Ian Urbina, still doesn’t really add anything to the LA Times story:

in fact, it raises one enormous question which it doesn’t even attempt to answer.

The way this deduction works is that you don’t need to pay federal income tax

on money which you’ve already given to the state in the form of state and local

income tax. If you earn $100,000 a year and you pay $5,000 of that in state

and local taxes, you pay federal income tax not on your full $100,000 income,

but only on the $95,000 which is left over.

According to a New York City official quoted in the New York Times piece, the

change would mean that New Yorkers "could expect an 11 percent increase

in the amount they pay the IRS," because they take deductions not only

for New York State taxes but also for New York City taxes.

Then, however, things get confusing. According to the New York Times, "the

change would affect about 3.2 million households in New York"; the LA Times

is more useful, saying that those 3.2 million households comprise 37% of all

tax filers in the state.

Both papers quote Bruce Bartlett, a former Treasury official. In the LA Times,

he says that "it’s one of the biggest deductions most people have on their

tax returns". But in fact, even in New York and California, "most

people" turns out to be just 37% of tax filers.

This makes little sense to me. If you pay federal income tax, then you pay

state income tax. If state income tax is deductible, how come 63% of filers

fail to deduct it? I’ve been poring over my 2003 tax returns, and not only can’t

I find the deduction anywhere, I can’t even find a place where I might be able

to claim it.

Thanks to ehow.com,

however, I’ve worked out what’s going on here. Americans have a choice on their

tax returns: they can either itemize deductions, or they can claim the standard

deduction, which last year was $4,750 for single people like me, $9,500 for

married couples filing jointly, or $7,000 for people who qualify as "head

of household". After I worked out my adjusted gross income, I then subtracted

$4,750 from it along with $3,050 for each person dependent on me, which in my

case was just me alone. So my taxable income, on line 40 of my 1040 tax return,

was actually $7,800 lower than my adjusted gross income, on line 35. And that’s

actually the minimum amount by which adjusted gross income is decreased.

It’s possible to reduce your adjusted gross income by more than that, by itemizing

your deductions. The main ones are mortgage interest, state and local taxes,

and charitable contributions. If you add all those things up and they come to

more than your standard deduction ($4,750 in my case), then you should itemize.

Most people, however, don’t. Since I don’t have a mortgage and I paid much less

than $4,750 in state and local taxes, I was better off taking the standard deduction,

even after accounting for my stunning generosity to sundry charities.

All of which raises another question, however. If people stop being able to

deduct state and local taxes on their federal tax returns, more of them will

take the standard deduction instead. So while the LA Times says that "the

deduction is valued at $46 billion" this year, it’s not clear whether that

number represents the total amount of state and local taxes deducted from federal

tax returns, or whether it represents the amount of money that the federal government

would receive if the deduction was abolished.

What’s more, it certainly seems that New York City officials are being alarmist,

not for the first time.

What with all the other deductions people can take, and the continued existence

of the standard deduction, I simply can’t imagine that New Yorkers would pay

the IRS 11% more if the state and local tax deduction is abolished. I, for instance,

along with 63% of other New Yorkers, wouldn’t see my federal income tax rise

at all. But as ever, when it comes to questions about taxes, reporters tend

to find it much easier to quote duelling officials than to uncover the actual

truth of the matter.

Posted in Finance | 14 Comments

Christmas Eve

It’s 6am on christmas eve and I’m struggling to stay awake for the last two

hours of this 12 hour shift. These are always the hardest. When it’s quiet and

warm inside and sleepiness creeps back in again. Outside, I forget to be quiet.

Razzing around on my skiddoo, carrying newly arrived passengers, offloading

cargo from the ship, picking up boxes and bringing them to buildings, unpacking

box upon box upon box of tinned potatoes.

Last year I was driving across the sea ice, this year I’m at the Halley end,

a winterer who has seen this before. With all these fresh faces around overflowing

with enthusiasm in glaringly bright new orange overalls, I am reminded of myself

last year, the year before, and it’s ok to see the change too. I’m more competent,

I know my way around, I know how things work and get done, this is my home.

I can start a skiddoo on my own and take people where they need to go, I can

lift heavy boxes and dig snow so it makes a difference. I am still a girl on

base and ask for help when I need it, but I’ve learnt when I need it and when

I don’t. No-one is offering to carry those boxes for me any more or start my

skiddoo. I live here. But it’s their new home too.

The ship made it in with little difficulty and the Relief exercise this year

has so far been very smooth. The major anxiety for me was in receiving our scientific

cargo, one component of which is a very expensive 7 tonne ISO container on the

weight-limit threshold for the kind of conditions we had last year. It, and

the rest of our boxes, arrived before my first night shift had even begun. And

all before christmas. Already, we’re off to a good start.

The ship also brought with it post. POST! Letters and cards, packages and parcels.

My dear friends out there know me very well. Presents for my thirtieth, five

months late but not a minute too soon, and one big box from my family that I

opened today full of chocolate and moisturiser, more chocolate, pates, biscuits,

chocolate and shower gel. And some more chocolate. At this stage in the year,

all I want is consumables and it seems I’ll be doing a lot of consuming during

the next few weeks!

A few friends, unasked, sent me underwear.. made me laugh as you have no idea

how welcome that is! That’s something else I’ve noticed: everyone who has been

here for the winter suddenly looks more shabby. Or rather, new folk look more

preened. New colours have appearred in the building – bright purple hats

and brightly coloured t-shirts. T-shirts that are really white. Without noticing,

everything we own has faded and been worn to extreme. Everyone has holes and

patches in their outer clothing, but it’s more a mark of recognition here than

carelessness.

We have fruit as well. I thought I would miss fresh fruit and veg so much but

I haven’t. It’s nice to see an orange again and bite into an apple but really,

the earth didn’t move. I wanted for nothing, which somehow makes the presents

even more indulgent.

It’s christnmas eve. I shall try and phone my family later today. I imagine

I’ll either work or sleep through most of the celebrations but it’s the best

time of summer to be here. When the action really happens. Boys and their toys

in the biggest playground in the world. Bulldozers and cranes, skiddoos and

sno-cats, masses of space to build and lift and dig and drop and move and do

all those things kids dream of. It’s a living dream, for me anyway.

Merry Christmas.

PS. The penguins have grown right up now. Like fat adolescents instead of cute

kids. I wrote a little blog when I went to visit them last but it’s in my room

where my room-mate, on dayshift, is currently sleeping. Photos attached anyway!

penguins last.jpg

penguins last2.jpg

Posted in Rhian in Antarctica | 8 Comments

Modern art notes

Thank you, Greg, for the MoMA passes you sent

me. I initially intended to give them to recent immigrants who know nothing

of modern art, and in fact I will do that eventually. But an opportunity came

up, so last weekend I took Mr and Mrs N to MoMA. They’re not immigrants; they’re

just visitors from abroad. And although they’re not rich, they could afford

the $20 admission, especially considering how weak the dollar is these days.

But I wanted to see how relatively unsophisticated visitors would respond to

the new MoMA.

When I wrote about the MoMA entrance

fee last month, I basically attacked the priorities of MoMA’s board: they

clearly seemed much more interested in spending money on architecture than they

were in bringing great art to the masses. So using my overseas visitors as representative

of said masses, I tailed along behind them, looking to see what they liked,

what they didn’t, how they reacted to the new museum.

The Ns loved the Picassos. Picasso is pretty much the only modern artist they

knew well, they’d seen the Picasso Matisse show, and they loved coming back

to many of the same paintings again. The lesson here is that repeat visits are

hugely important, even when there are gaps of a year or more between them. And

the $20 entry fee certainly mitigates against repeat visits: once you’ve "been

there and done that" you’re less likely to shell out a second time, absent

some special exhibition you haven’t seen before. In fact, however, if and when

you do return, it’s more than likely that you’ll have a much better time on

your repeat visit.

MoMA’s actually a prime example of this: by the time our visit was over, I

was utterly exhausted. Many people have remarked upon the woeful paucity of

seating at MoMA; when that is combined with visits which can take hours, lots

of walking, and lots of intense focusing on art, you end up leaving the museum

utterly drained. Familiar art is, well, a bit like Matisse’s comfy armchair:

it’s just as rewarding, but less work, than unfamiliar art.

Yet the Ns were undaunted by the huge array of utterly unfamiliar art that

they faced at MoMA. I was especially impressed with the time and effort that

they put into the contemporary galleries, which are now undoubtedly the centerpiece

of the new MoMA.

It’s important to remember that there are two types of people in this world:

the kind of people who would never dream of taking a freight elevator up to

the 11th floor of a gallery building in West Chelsea in order to see a small

Morandi show, and the kind of people who would never dream of not doing

so. Pretty much all the visitors to the new MoMA fall into the former category,

while pretty much all the people who’ve written about it so far fall into the

latter.

Mr and Mrs N went straight for the contemporary galleries upon entering the

building: it’s only natural, the way it’s laid out. For all the talk of the

Signac starting off the exhibition, in fact it was pretty much the last painting

we saw, more than three hours after we entered. The real start of the exhibition

is the lobby, with the Newman sculpture and the late paintings from Monet, de

Kooning and Johns; after that, it’s right on into Matta-Clark and Twombly.

Neither of the Ns recognised a single work of art in the contemporary galleries.

Art-world types look straight at the Twombly or the Koons and immediately it

plops into its designated space in their mental filing cabinet. It’s always

good to see such works afresh, but it’s very easy to forget how difficult they

are the first time they’re encountered. The Ns spent a lot of time

in the contemporary galleries, not because they loved the art, but because they

took care to really look at every work individually, read the (generally excellent)

wall texts if there were any, and make a serious attempt to engage with the

art and try to understand it.

The primary example of this, in my mind, came not in the contemporary galleries

but upstairs, on the fourth floor. MoMA’s collection of minimalists is nothing

compared to Dia’s, of course,

but they still attempt a show, albeit with the idiotic decision to exhibit a

Carl Andre floor piece while at the same time not allowing people to stand on

it. Given that at least, oh, 60% of the power of an Andre comes when you stop

onto it, the decision does seem to defeat the purpose of showing it in the first

place. But not far from the Andre is a Sandback string piece. Mrs N looked at

it briefly, and immediately asked an incredibly good question. The piece is

illuminated by four or five spotlights, which mean that the string creates multiple

shadows on the wall behind it. Mrs N wanted to know whether the illumination

and the series of shadows was part of the artwork or not – a very astute

comment, especially considering that the whole concept of a piece of string

as art would probably have struck her as utterly ludicrous only an hour or two

earlier.

In the contemporary galleries, wordy installations, especially the the Rem

Koolhaas piece, received a lot of time just because there’s a lot of text to

read. But all the other pieces did too, from Felix Gonzales-Torres’s paired

clocks to Andy Warhol’s Rorschach painting. And it struck me that thousands

of people every week will view the content of the contemporary galleries at

MoMA as being a snapshot of the very best contemporary art there is –

just as MoMA has the very best post-impressionists or cubists or abstract expressionists.

MoMA, then does not have the same kind of freedom that other museums have,

to put on interesting takes on marginal artists or a contrarian view of contemporary

practice. The rest of the museum is so canonical – and the art in the

contemporary galleries, with their super-high ceilings, is presented as so important

– that MoMA is essentially forced to both play it safe and to seriously

get to work improving its collection of art from the past 30 years. Let the

Pompidou Center in Paris be the place to go for eye-opening exhibitions which

change the way we look at contemporary art – or put those on in the gorgeous

6th-floor special exhibition galleries. The big contemporary galleries off the

main atrium make an unambiguous architectural statement that they house great

and important art.

Of course, there are two enormous problems with this. Firstly, no one can agree

on which contemporary artists are the greatest and most important; and secondly,

MoMA probably doesn’t own the best work by those artists anyway. Maybe the solution

is to mix things up a bit: rather than adhering to the strictly chronological

segregation which MoMA has at the moment, bring some of the great paintings

from upstairs down to the contemporary galleries, and start setting up shows

where Picasso and Duchamp are seen alongside their heirs.

For the time being, though, the main result of my visit with the Ns was that

I left with a newfound sense of awe for the responsibilities that MoMA’s curators

toil under. Visitors to MoMA, if the Ns are any indication, are not looking

for easy art, and nor are they looking to be entertained. They’re willing to

put in a lot of work, if that’s what modern art requires. In return, MoMA should

do its utmost to repay the effort, by treating art – especially contemporary

art – with the seriousness it deserves, and by making the development

of a world-class contemporary art collection the museum’s number one priority.

They’ve got a great space, and they’ve got a great audience. Now all they need

is great art.

Posted in Culture | 2 Comments